Turk’s process of making is intensely performative, replicating in detail both the media and production methods used in Warhol’s original iconic screen print. Critically leveling the 20th century’s optimistic capitalism in a single act of hostile takeover, Turk downsizes and expropriates its heroes: abated to its most recognizable parts – face and gun details –Turk re-constructs the image as it exists in popular consciousness, insinuating himself (as Turk, as anyone, as everyone) at the core.