Bendix Harms

Bendix Harms is a German Postwar & Contemporary painter who was born in 1967. Numerous key galleries and museums such as Anton Kern Gallery have featured Bendix Harms’s work in the past.Bendix Harms’s work has been offered at auction multiple times, with realized prices ranging from $875 USD to $6,875 USD, depending on the size and medium of the artwork. Since 2009 the record price for this artist at auction is $6,875 USD for Kleinburgsieben (Kleinburg Seven), sold at Phillips New York, Chelsea in 2010. Bendix Harms has been featured in articles for Arte Fuse, Saatchi Online and New York Times. The most recent article is Bendix Harms Reversed Evolution – How It Feels to Be Mamon at Nino Mier Gallery, Los Angeles written for Arte Fuse in October 2020.

Past exhibitions

Biography

Selected Solo Exhibitions
2021
  • Bendix Harms: Houses of Content, Anton Kern Gallery, New York, USA
2020
  • Bendix Harms: Reversed Evolution – How it feels to be Mamon, Nino Mier Gallery 1, Los Angeles, California, USA
  • Bendix Harms: Die Geburt von Neinsens, Kunstverein Heppenheim, Heppenheim An Der Bergstrasse, Germany
2019
  • Bendix Harms, Knust Kunz, Munich (Ludwigstrasse), Munich, Germany
2018
  • Bendix Harms: SANKT RUFUS, Anton Kern Gallery, New York, USA
  • Bendix Harms: Deathless Rufus: Defend Østerfælden, Moran Moran, Los Angeles, Los Angeles, California, USA
2017
  • Bendix Harms: ÄMEN, Anton Kern Gallery, New York, USA
2008
  • Bendix Harms, Lebenslieben, Anton Kern Gallery, Chelsea, New York, USA
Selected Group Exhibitions
2021
  • Tales of Manhattan, Anton Kern Gallery, New York, USA
  • Deep Blue, Hall Art Foundation, Schloss Derneburg Museum, Hildesheim, Germany
  • Inaugural Exhibition, Nino Mier Gallery Brussels, Brussels, Belgium
2020
  • Old Technology, Anton Kern Gallery, New York, USA
  • Five Year Anniversary Show, Nino Mier Gallery 1, Los Angeles, California, USA
  • Pas De Deux: Part I, Knust Kunz, Munich (Ludwigstrasse), Munich, Germany
2018
  • Objects to Identify, Moran Moran, Los Angeles, Los Angeles, California, USA
  • Summer of Love, Freight+Volume, New York (Allen St.), Lower East Side, New York, USA
2017
  • Drawing Island, The Journal Gallery, Tribeca, New York, USA
2016
  • Implosion 20, Anton Kern Gallery, New York, USA
  • ‘Don’t call me when you are rich or famous. Call me only if you are in the gutter.’, Grice Bench, Glendale, Los Angeles, California, USA
  • The Great Figure: Part Two, The Journal Gallery, Tribeca, New York, USA
  • Shout for Tomorrow, Hirschl & Adler, Lower Manhattan, New York, USA
  • Colliding Alien Cargo, Marlborough, New York, Chelsea, New York, USA
2015
  • Self: Portraits of Artists in Their Absence, National Academy of Design, Midtown, New York, USA
  • Call and Response, Gavin Brown’s enterprise, Greenwich Street, Greenwich Village, New York, USA
2009
  • The Secret Life Of Objects, Midway Contemporary Art, Minneapolis, Minnesota, USA
2008
  • Jamison Brosseau, Bendix Harms, Federico Herrero, and Ulrich Wulff, curated by Eddie Martinez, ZieherSmith, Chelsea, New York, USA

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