Richard Prince
RICHARD PRINCE
www.richardprinceart.com
BIOGRAPHY
Born, Panama Canal Zone, 1949.
Lives and works in New York.
Selected Solo Exhibitions:
2008
“Richard Prince: Continuation,” Serpentine Gallery, London, June 26 – September 7, 2008
“Richard Prince,” Gagosian Gallery, London, June 19 – August 8, 2008
“Richard Prince: Four Blue Cowboys,” Gagosian Gallery, Rome, June 20 – August 8, 2008
“Richard Prince: Young Nurse,” Monte Clark Gallery, Vancouver, Canada, March 5 – 15, 2008
“Richard Prince: Spiritual America,” Guggenheim Museum, New York, NY, September 28 –
January 9, 2008
“Richard Prince: Spiritual America,” Walker Art Center, Minneapolis, March 23 – June 15,
2008
2007
“Richard Prince: Spiritual America,” Guggenheim Museum, New York, September 28, 2007 –
January 9, 2008
“Fractured Figure: Works from the Dakis Joannou Collection,” DESTE Foundation Centre for
Contemporary Art, Athens, Greece, September 5, 2007 – March 2008
“Richard Prince,” Panama Pavilion, Venice, Italy, June – July 2007
“Richard Prince: Canaries in the Coal Mine,” Astrup Fearnley Museum for Modern Art,
Oslo, Norway, January 20 – April 29, 2007
“Fugitive Artist: The Early Work of Richard Prince, 1974-1977,” Neuberger Museum of
Art, Purchase College, New York, January 28 – June 24, 2007
“Sequence 1. pittura e scultura nella collezione François Pinault,” curated by Alison M.
Gineras, Palazzo Grassi, Venice, May 5 – November 11, 2007.
2006
“Richard Prince: Cowboys, Mountains and Sunsets,” Monika Sprüth Philomene Magers,
London, United Kingdom, November 7 – December 22, 2006
“Richard Prince: The Portfolios,” Jürgen Becker, Hamburg, Germany, September 8 –
November 18, 2006
2005
“Richard Prince: New Work,” Sadie Coles HQ, London, November 22, 2005 – January 7,
2006
“Richard Prince,” Barbara Gladstone Gallery, New York, NY, April 30 – June 18, 2005
“Richard Prince: Check Paintings,” Gagosian Gallery, Beverly Hills, CA, February 25
– April 9, 2005
2004 “Richard Prince,” Sammlung Goetz, Munich, Germany, November 22, 2004 – May 7, 2005
“Man,” Galerie Eva Presenhuber, Zurich, Switzerland, June 12 – July 31, 2004
“Women,” Regen Projects, Los Angeles, CA, February 19 – March 20, 2004, artist book
2003
“Richard Prince: Nurse Paintings,” Barbara Gladstone Gallery, New York, NY, September 20 –
October 25, 2003
“Richard Prince: Nurse Paintings,” Sadie Coles HQ, London, April 23 – May 31, 2003
“Richard Prince: Upstate,” Sabine Kunst, Munich, Germany, September 12-November
15, 2003
“Richard Prince: New Work.” Glenn Horowitz Bookseller, East Hampton, NY,
August 2-September 17, 2003
2002
“Richard Prince Paintings,” Barbara Gladstone Gallery, New York, May 11 – June 21
“Richard Prince Principal, Painting and Photographs” Kunstmuseum Wolfsburg, April 27 –
July 28
“Richard Prince Paintings,” Kunsthalle Zurich, Switzerland, February 2 – April 1, cat.
2001
Regen Projects, Los Angeles, CA March 3 – April 7
Skarstedt Fine Art, New York, NY, February 21 – April 27
2000
“Richard Prince Photographs,” Museum fur Gegenwartskunst Basel, Switzerland, December 8-
February 24, 2002
“Richard Prince: Princeville-1999 N.C. Flood Disaster Benefit,” Partobject Gallery,
Carrboro, NC, August 5 – September 23, 2000
Barbara Gladstone Gallery, New York, NY, May 19 – June 30
“Upstate,” Mak Center for Art & Architecture, Los Angeles, CA, March 1 – May 28
“Richard Prince: 4X4,” MAK Galerie, Vienna, Austria, March 15 – May 28
1999
Sadie Coles HQ, London, England
Sabine Knust, Munich, Germay
1998 Regen Projects, Los Angeles
Stills Ltd, Edinburgh
Barbara Gladstone Gallery, New York
Skarstedt Fine Art, New York
Anton Kern Gallery, New York, “Psychoarchitecture: Richard Prince – Martin
Kippenberger”
1997
Jurgen Becker, “The White Room”, Hamburg, Germany
Parco, Tokyo, Japan
Museum Haus Lange/Museum Haus Esters, Krefeld, Germany
White Cube, London, Great Britain
Espace d’art Yvonamor Palix, “Cowboys and Cowgirls”, Paris, France
1996
Maximilian Verlag-Sabine Knust, Munich, Germany
Haus der Kunst/Suddeutsch Zeitung, Munich, Germany
Jablonka Gallery, Cologne, Germany
1995
Regen Projects, Los Angeles
Barbara Gladstone Gallery, New York, NY
Theoretical Events, Naples, Italy
1994
Kestener Gesellschaft, Hannover, Germany
Offshore Gallery, East Hampton, New York
1993
Regen Projects, Los Angeles, “First House”
Museum Boymans-van Beuningen, Rotterdam, The Netherlands, “Richard Prince:
Fotos, Schilderijen, Objecten”
San Francisco Museum of Modern Art, San Francisco
Kunstverein and Kunsthalle, Dusseldorf, Germany
Barbara Gladstone Gallery, New York
Jablonka Galerie, Cologne, Germany, “Girlfriends”
Galerie Micheline Szwajcer, Antwerp, Belgium
1992
Whitney Museum of American Art, “Richard Prince Retrospective,” New York
Maximilian Verlag/Sabine Knust, Munich, Germany
“Protest Paintings”
Beaver College Art Gallery, Glenside, Pennsylvania
Le Case d’Arte, Milan, “Works on Paper”
1991
Stuart Regen Gallery, Los Angeles
Barbara Gladstone Gallery, New York
Galleri Nordanstad-Skarstedt, Stockholm
Galerie Ghislaine Hussenot, Paris
1990
Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne, “Richard Prince: Jokes, Gangs,
Hoods,” Catalogue/Artist Book
Galerij Micheline Szwajcer, Antwerp, “Richard Prince”
Arthur Roger Gallery, New Orleans
1989
IVAM Centre del Carme, Valencia, Spain, “Spiritual America,” Catalogue
Barbara Gladstone Gallery, New York, “Richard Prince – Sculpture,” (joint exhibition
with Jay Gorney Modern Art)
Jay Gorney Modern Art, New York, “Richard Prince – Paintings,” (joint exhibition with
BarbaraGladstone Gallery)
Barn Gallery, Ogunquit, Maine, Brochure
Daniel Weinberg Gallery, Los Angeles
1988
Centre National d’Art Contemporain de Grenoble (MAGASIN), Grenoble, France,
Catalogue
Barbara Gladstone Gallery, New York
Le Case d’Arte, Milan
One Times Square, New York, “Tell Me Everything,” Spectacolor Lightboard
installation sponsored by The Public Art Fund, Inc., New York
Galerie Ghislaine Hussenot, Paris
Galerie Rafael Jablonka, Cologne
1987
Gutenbergstrasse 62a e.V., Stuttgart
Daniel Weinberg Gallery, Los Angeles
1986
International with Monument, New York
Feature Gallery, Chicago
1985
International with Monument, New York
Richard Kuhlenschmidt Gallery, Los Angeles
1984
Riverside Studios, London
Feature Gallery, Chicago
Baskerville + Watson, New York
1983
Le Nouveau Musee, Lyon, France
Institute of Contemporary Art, London
Richard Kuhlenschmidt Gallery, Los Angeles
Baskerville + Watson, New York
1982
Metro Pictures, New York
1981 Metro Pictures, New York
Richard Kuhlenschmidt Gallery, Los Angeles
1980
Artists Space, New York
CEPA Gallery, Buffalo, New York
Selected Group Exhibitions:
2008 “Depreciation and Devastation,” curated by Darren Bader, Gavin Brown and Tony Just, GBE @
Passerby, New York, NY, March 7, 2008
“Inside Architecture: Selections form the Permanent Collection,” Museum of Contemporary Art
at the Pacific Design Center, Los Angeles, CA, March 9 – May 25, 2008
“Martian Museum of Terrestrial Art,” Barbicon Art Gallery, London, UK, March 6 –
May 18, 2008
“Prefab,” Gagosian Gallery,” New York, NY, February 26 – April 19, 2008
“Collecting Collections,” Museum of Contemporary Art, Los Angeles, February 10 – May 19,
2008
2007 “Jubilee Exhibition,” House Eva Presenhuber VNA, Engiandina Bassa, Switzerland, October 18,
2007 – March 31, 2008
“My Sweet Sixteen Party,” Rodolphe Janssen, Brussels, Belgium, September 14 – October 27,
2007
“Fractured Figure: Works from the Dakis Joannou Collection,” Deste Foundation for
Contemporary Art, Athens, Greece, September 6 – March 29, 2008
“Summer Show,” John McWhinnie @ Glenn Horowitz Bookseller, New York, NY, July 20 –
August 16, 2007
“Panic Attack! Art in the Punk Years,” Barbican Centre, London, UK, June 5 – September 9,
2007;
cat.
“Robert Mangold Richard Prince,” Andrea Rosen Gallery, New York, NY, January 26 –
March 10, 2007
2006 “In the darkest hour there may be light: Works from Damien Hirst’s murderme
collection,” Serpentine Gallery, London, United Kingdon, November 25, 2006 –
January 28, 2007
“Made in China,” Fifty One Fine Art Photograghy, Antwerpen, Belgium, November 24,
2006– January 6, 2007
“25’ x 25’,” curated by Matthew Higgs, Amie Scally, White Columns, New York, at
CerealArt Projects Room, Philadelphia, PA, November 17, 2006 – January 17,
2006
“The 1980s: A Topology,” curated by Ulrich Loock, Serralves Museum of Contemporary
Art, Porto, Portugal, November 10, 2006 – March 25, 2007; cat.
“Destricted,” Galerie Menour, Paris, France, October 27 – November 11, 2006
“Surprise Surprise,” Institute of Contemporary Arts, London, England, August 2
– September 10, 2006
“Implosion,” Anton Kern Gallery, New York, NY, June 29 – July 28, 2006
“The Other Side,” Tony Shafrazi Gallery, New York, NY, May 5 – June 30, 2006
“Jonathan Monk & Richard Prince,” Galerie Mezzanin, Vienna, Austria, April 8 – May 27,
2006
2005 “After Cézanne,” The Museum of Contemporary Art, Los Angeles, CA, November 20,
2005 – June 19, 2006
“Vogue Nudes,” Mitchell-Innes & Nash, New York, NY, November 18 –
December 23, 2005
“Looking at Words: The Formal Presence of Text in Modern and Contemporary
Works on Paper,” conceived by Barbaralee Diamonstein-Spielvogel,
Andrea Rosen Gallery, New York, NY, October 28 – January 14,2006
“Drawing from the Modern, 1975 – 2005,” Museum of Modern Art, New York, NY,
September 14, 2005 – January 9, 2006
“Dialogue,” Perry Rubenstein Gallery, New York, NY, September 15 – October 22, 2005
“Likeness: Portraits of Artists by Other Artists,” University Art Museum, California
State University Long Beach, CA, August 30 – October 30, 2005
“Girls on Film,” curated by Kristine Bell, Zwiner and Wirth Gallery, New York, NY,
July 7 – September 2, 2005
“Mo(nu)ments!” Astrup Fearnely Museum of Modern Art, Norway, May 21 – September
2005
“Photographic Works,” Jürgen Becker, Hamburg, Germany, April 8 – June 11, 2005
2004
“East Village USA,” New Museum of Contemporary Art, New York, NY, December 9,
2004 – March 19, 2005
“What’s Modern?,” Gagosian Gallery, New York, NY, November 5 – December 18, 2004
“I am the Walrus,” Cheim & Read, New York, NY, June 10 – July 30, 2004
“Everything is Connected he, he, he,” Astrup Fearnley Museum of Modern Art, Oslo,
Norway, May 29 – August 15, 2004
“The Whitney Biennial,” The Whitney Museum of American Art, New York,
NY, March 10-May 30, 2004
“Likeness: Portraits of Artists by Other Artists,” CCA Wattis Institute, San Francisco,
CA, Februay 27 – May 8, 2004
“100 Artists See God,” Curated by John Baldessari and Meg Cranston, The Jewish
Museum San Francisco, March 7 – June 27, 2004; Laguna Art Museum, Laguna
Beach, CA, July 25 – October 3, 2004; Institute of Contemporary Art, London,
England, November 19 – January 9, 2005; Contemporary Art Center of Virginia,
Virginia Beach, Virginia, June 9 – September 4, 2005, cat.
“Faces in the Crowd: Picturing Modern Life from Manet to Today,” Whitechapel,
London, UK, December 3 – March 6, 2005
2003
“Inaugural Exhibition,” Regen Projects, Los Angeles, CA, February 15 – March 8
“Everyday Aesthetics: Works from the Astrup Fearnley Collection,” Oslo, Norway,
September 27-November 30, 2003
2002
“To Whom It May Concern,” California College of Arts and Crafts, San Francisco, CA,
September 5 – October 26
“Copy,” Roth Horowitz, New York, May 10 – June 22
2001 “Drawings,” Regen Projects, Los Angeles, May 26 – July 21
“Let’s Entertain,” Co-produced by the Walker Art Center, Minneapolis and the Centre Georges
Pompidou, Musee national d’art moderne, Paris; travels to Miami Art Museum, Miami,
FL, September 13 – November 18, cat.
“American Art,” from the Goetz Collection, Galerie Rudolfinum, Munich, Germany, May 23 –
September 2
“Spiritual America,” Audiello fine Art, New York, May 11 – June 16
“A Room of Their Own,” Museum of Contemporary Art, Los Angeles
“Settings & Players: Theatrical Ambiguity in American Photography,” White Cube,
London, March 9 – April 14
2000
“Couples,” Cheim & Read, New York, NY
“00,” Barbara Gladstone Gallery, New York, NY, July 6 – August 5, cat.
“Apocalypse,” Royal Academy of Arts, London, England, September 23 – December 15
1999
“Plain Air,” Barbara Gladstone Gallery, New York, New York, July – August
“Art in America: 2000.” Art in Embassies Program, Slovak Republic
“The American Century – Part II,” Whitney Museum, New York
“Horse Play,” Real Art Ways, Hartford, CT
“Transmute,” Museum of Contemporary Art, Chicago
“Fame After Photography,” Museum of Modern Art, New York
“Examining Pictures,” Whitechapel Art Gallery, London travelling to The Musem of
Contemporary Art, Chicago
1998 Marriane Boesky Gallery, New York, “Real Stories”
The Cleveland Museum of Art, “Cleveland Collects Contemporary Art”
Matthew Marks and Pat Hearn Gallery, “Painting Now and Forever Part I”
Musesum of American art, Pennsylvania Academy of Fine Arts,
“Dispersal of Pop Abstraction”
The Deichtorhallen, Hamburg, Germany, October 29 – January 17, 1999
“Emotion; Young British and American Art from the Goetz Collection,”Catalogue
The Deichtorhallen, Hamburg, Germany, “Die Rache der Veronika”
Fotosammlung Lambert
The Power plant. ” American Playhouse-The Theatre of self-Presentation”,Toronto
1997
Whitney Museum of American Art, “The Whitney Biennial”, curated by
Louise Neri and Lisa Phillips, catalogue
Diechtorhallen, Hamburg, Germany, “Birth of Cool: American Painting from Georgia
O’Keefe to Christopher Wool” (traveling to Kunsthaus, Zurich, Switzerland)
David Zwirner Gallery, New York, NY, “Someone Else With My
Fingerprints”(traveling to Galerie Hauser & Wirth, Zurich, Switzerland;
August
Sander Archive, Cologne, Germany; Kunstverein Munchen, Kunsthaus
Munchen, Munich, Germany), catalogue
Baumgartner Galleries, Washington, “New York on Paper”
1996
Gotlands Konst Museum, Visby, Sweden, “New York Scene”
Saatchi Gallery, London, “Young Americans: New American Art in the Saatchi
Collection,” Catalogue
The Power Plant, Toronto, Ontario, “The American Trip,” Catalogue
Bard College, New York, “Who Do You Think You Are?”
Center for Curatorial Studies, Bard College, Annandale-on-Hudson, “a/drift: Scenes
from the Penetrable Culture”
Kunsthalle Zurich, Zurich, Switzerland, “Playpen of Corpus Delirium”
Musee d’Art Moderne, Paris, France, “Passions Privee”
The Geffen Contemporary at MOCA, Los Angeles, “Just Past: The Contemporary in the
Permanent Collection, 1975-96″
1995
Le Consortium, Nouvelles Scenes 95, “Photocollages,” Dijon, France
Galerien der Stadt Esslingen am Neckar, 3.Internationale Foto-Triennale, “Close to
Life,” Catalogue
Alessandro Bonomo, Rome, Italy
University Art Museum, Berkeley, CA, “In a Different Light,” Catalogue
Neue Galerie am Landesmuseum Joanneum und Kunterhaus, Graz, Germany, “Pittura /
Immedia,” catalogue
Musee du Luxembourg, Paris, France, “L’effet cinema”
1994
Kunstmuseum Wolfsburg, Wolfsburg, Germany, “Tuning Up,” catalogue
Paula Cooper Gallery, New York, “Pictures of the Real World (In Real Time),”
organized by Robert Nickas
Galeria Luisa Strina, Sao Paolo, Brazil, “Das Americas,” traveling exhibition,
catalogue, ill.
Luhring Augustine, New York, “The Ossuary”
Galerie Asbaek, Copenhagen
Per Skarstedt Fine Art, “Cowboys and Jokes – Works from 1980-1988”
1993
Kunsthalle Vienna, Vienna, “The Language of Art”
Knoedler & Co., New York, “Up in Smoke: Photographs 1991-1992,” curators Barbara
Jakobson and Keith DeLellis
International Center of Photography, NY, “Commodity Image”
Galerie Johnen & Schottle, Cologne, “Patrick Painter Editions”
Jurgen Becker, Hamburg, “Sean Landers, Raymond Pettibon, Richard Prince”
Center for the Fine Arts, Miami, “Photoplay: Works from the Chase Manhattan
Collection,” catalogue
Thread Waxing Space, New York, “I am the Enunciator”
The Contemporary Arts Center, Cincinniti, “Mettlesome Meddlesome – Selection from
the Collection of Robert J. Shiffler”
1992
“Documenta IX,” Kassel, Germany, catalogue
Museum of Modern Art, New York, “Allegories of Modernism: Contemporary
Drawings,” catalogue
“Ars Pro Domo,” sponsored by Museum Ludwig, Cologne, Germany, curated by
Wilfried Dickhoff, catalogue
Kunstraum Daxer, Munich, Germany, “Selected Works from the Early 80s,” catalogue
Wexner Center for the Arts, Columbus, Ohio, “Re:Framing Cartoons,” curated by Tom
Zummer, catalogue
The Aldrich Museum of Art, Ridgefield, CT, “Quotations-The Second History of Art,”
catalogue
Art Center College of Design, Pasadena, CA, “Hollywood, Hollywood,” curated by
Fred Fehlau
University Art Museum, Santa Barbara, CA, “Knowledge: Aspects of Conceptual Art,
catalogue, traveled to Santa Monica Museum of Art and North Carolina Museum
of Art, Raleigh, NC
Ciesa di San Lorenzo, Aosta, Italy, “Theoretically Yours,” curated by Collins &
Millazo, catalogue
Gerald Peters Gallery, Dallas, TX, “Summer Stock”
Galerij Micheline Szwajcer, Antwerp, Belgium, “Mees, Klingelholler, Therrien, &
Prince”
International Center of Photography Midtown, NY, “Special Collections–The
Photographic Order from Pop to Now,” catalogue
Barbara Gladstone Gallery, New York, “c. 1980.”
Stuart Regen Gallery, Los Angeles, “Drawings”
Rena Bransten Gallery, San Francisco, “Childhood Revisited”
1991
Palazzo delle Albere, Trento, Italy, “American Art of the 80s,” organized by Jerry
Saltz, catalogue
Paula Cooper Gallery, New York, ACT-UP Benefit Art Sale
Fonds Regional d’Art Contemporain des Pays de la Loire, Clisson, France, catalogue
Walter Gropius Bau, Neuer Berliner Kunstverein, Berlin, “Metropolis,” catalogue
Centraal Museum, Utrecht, Netherlands, “Night Lines,” catalogue
Centraal Museum, Utrecht, Netherlands, “The Words and the Images,” catalogue
Indianapolis Museum of Art, Indianapolis, “Power: Its Myths, Icons, and Structures in
American Art, 1961-1991,” catalogue
Museum of Contemporary Art, Wright State University, Dayton, Ohio, “Words &
#’s,” catalogue
Fonds Regional d’Art Contemporain des Pays de la Loire, Clisson, “Oeuvres
Originales”
Margo Leavin Gallery, Los Angeles, “20th Century Collage”
Galerie Pierre Huber, Geneva, “La Revanche de L’Image”
Fernando Alcolea Gallery, Barcelona, “Rope”
Rosa Esman Gallery, New York, “To Wit”
Robert Miller Gallery, New York, “Portraits on Paper”
Pat Hearn Gallery, New York
Luhring-Augustine-Hetzler, Santa Monica, curated by Thea Westreich
1990
The Israel Museum, Jerusalem, “Life Size: A Sense of the Real in Recent Art,”
catalogue
Milwaukee Museum of Art, Milwaukee, “Word as Image: American Art 1960-1990,”
catalogue; travelled to Oklahoma City Arts Museum and Contemporary Art
Museum, Houston
Tony Shafrazi Gallery, New York, “The Last Decade: American Artists of the 1980’s,”
curated by Collins and Milazzo, Catalogue
Whitney Museum of American Art Downtown at Federal Reserve Plaza, “The
Charade of Mastery,” Catalogue
Centre Georges Pompidou, Paris, “Art et Publicite”
303 Gallery, New York, and Stuart Regen Gallery, Los Angeles, “Paintball”
The New Museum, New York, “The Decade Show: Frameworks of Identity in the 80’s,”
Catalogue
Andrea Ruggieri Gallery, Washington, DC, “The Age of Information”
Galleri Nordanstad-Skarstedt, Stockholm, “Disconnections”
International Center of Photography Midtown, New York, “The Indomitable Spirit:
Photographers and Friends United Against AIDS,” Catalogue. Travelled to Los
Angeles Municipal Art Gallery
Massimo Audiello Gallery, New York, “The Last Laugh: Irony, Humor, Self-Mockery,
and Derision,” curated by Collins and Milazzo, Brochure
1989
Paleis voor Schone Kunsten, Brussels, “Wittgenstein – The Play of the Unsayable,”
curated by Joseph Kosuth, Catalogue
Whitney Museum of American Art, New York, “Image World – Art and Media
Culture,” Catalogue
The Museum of Contemporary Art, Los Angeles, “A forest of SIGNS: ART IN THE
CRISIS OF REPRESENTATION,” Catalogue
Festival of Vienna, Vienna, Austria, “Moskau – Wien – New York,” Catalogue
Frankfurter Kunstverein, Frankfurt, Germany, “Prospect Photographie,” Catalogue
Festival Nouvelles Scenes ’89, Dijon, France, “Une Autre Affaire”
The School of Visual Arts Gallery, New York, “Dream Reality,” curated by Peter
Nagy
Museum am Ostwall, Dortmund, West Germany, “In Other Words: Wort und Schrift in
Bildern der Konzeptuellen Kunst,” catalogue
Kunstverein in Hamburg, Hamburg, “D & S Ausstellung,” catalogue
Yokohama Museum of Art, Yokohama, Japan, “Contemporary Art from New York –
The Collection of the Chase Manhattan Bank,” Catalogue
National Museum of American Art, Washington, D.C., “The Photography of
Invention: American Pictures of the 1980’s,” Catalogue
International Museum of Photography at George Eastman House, Rochester, New
York, “New Acquisitions, New Work, New Directions”
Simon Watson Gallery, New York, “Re-presenting the 80’s,” Catalogue
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York,
“Suburban Home Life: Tracking the American Dream”
Whitney Museum of American Art at Equitable Center, New York, “Nocturnal Visions
in Contemporary Painting”
Rheinhalle, Cologne Fair Grounds, Cologne, “Bilderstreit,” catalogue
Frankfurter Kunstverein, Frankfurt, “Prospect ’89,” catalogue
University Galleries, Illinois State University, Normal, “Through a Glass, Darkly,”
catalogue
Victoria and Albert Museum, London, “Photography Now,” catalogue
Monika Spruth Galerie, Cologne, “Scripta Manent – Verba Volant”
Stedman Art Gallery, Rutgers University, Camden, New Jersey, “Conspicuous
Display,” Brochure
Stedelijk Museum, Amsterdam, “Horn of Plenty: Sixteen Artists from New York City”
Hallwalls Contemporary Arts Center, Buffalo, “Amerikarma”
1988
Stadt. Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein fur d.
Rheinlande u. Westfalen, Dusseldorf,
“BiNATIONALE: Deutsche/Amerikanische Kunst der 80er Jahre,” traveled to The
Institute of Contemporary Art, Museum of Fine Arts, Boston, Catalogue
PPS. Galerie F.C. Grundlach, Hamburg, “Das Licht von der anderen Seite”
Galleri Contur, Stockholm
Daniel Weinberg Gallery, Los Angeles, “New Works by Ashley Bickerton, Robert
Gober, Peter Halley, Jeff Koons, Richard Prince, Meyer Vaisman, Christopher
Wool”
PPS. Galerie F.C. Grundlach, Hamburg, “Gangs of Surrogate Entertainers: Prince –
McCollum -Robbins”
Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New
York, “Modes of Address: Language in Art Since 1960”
Centre National des Arts Plastiques, Paris, “The Object of the Exhibition,” Catalogue
Halle Sud, Geneva, “Reprises de Vues”
Lorence-Monk Gallery, New York, “Lifelike”
Kunsthalle Zurich, Zurich, “Allan McCollum – Richard Prince”
Metro Pictures, New York, “Hover Culture”
Clocktower Gallery, New York, “Nostalgia as Resistance”
The Haggerty Museum of Art, Marquette University, Milwaukee, “Photography on
the Edge”
Wallach Art Gallery, Columbia University, New York, “Sexual Difference: Both
Sides of the Camera”
The Bruce Museum, Greenwich, Connecticut, “Photographic Truth”
Venice Biennial, Venice, “Aperto ’88,” included in an installation by Robert Gober
1987
Sidney Janis Gallery, New York, “Recent Tendencies in Black and White”
Le Case d’Arte, Milan
Galerie Nachst St. Stephan, Vienna, “Fotografien”
Knight Gallery/Spirit Square Arts Center, Charlotte, North Carolina, “Romance,”
catalogue
Los Angeles County Museum of Art, Los Angeles, “Photography and Art: Interactions
since 1946,” traveling exhibition
Whitney Museum of American Art, New York, “1987 Biennial Exhibition”
John Good Gallery, New York, “True Pictures”
Harm Bouckaert Gallery, New York, “Prints”
Galerie Christoph Durr, “Der Reine Alltag”
Hillwood Art Gallery, C.W. Post Campus/Long Island University, New York,
“Perverted by Language”
Whitney Museum of American Art at Phillip Morris, New York, “The Viewer
as Voyeur”
Hoffman Borman Gallery, Los Angeles, “The New Who’s Who”
1986
The 6th Biennial of Sydney, Sydney, Australia, Catalogue
Holly Solomon Gallery, New York, “Text and Image: The Wording of American Art”
Castelli Graphics, New York, “The Moral Essays”
Institute of Contemporary Art, Boston, “As Found”
Michael Kohn Gallery, Los Angeles, “Post-Pop”
San Francisco Camerawork, California, “Products and Promotion,” traveling
exhibition, catalogue
Wiener Festwochen, Weiner Secession, Vienna, “Wien Fluss,” Catalogue
Colin Deland Gallery, New York (with John Dogg)
LACE, Los Angeles, “TV Generations”
Queens Museum, New York, “The Real Big Picture”
1985
Whitney Museum of American Art, New York, “1985 Biennial Exhibition,” Catalogue
303 Gallery, New York (with David Robbins)
The New Museum of Contemporary Art, New York, “The Art of Memory/The Loss of
History”
Center for Contemporary Arts, Santa Fe, New Mexico, “Strategies of Appropriation”
1984
ARC/Musee d’Art Moderne de la Ville de Paris, France, “New York: Ailleurs et
Autrement,” Catalogue
Washington Project for the Arts, Washington, D.C., “The Magazine Stand”
Spiritual America, New York, “Pop”
Contemporary Arts Museum, Houston, “The Heroic Figure”
Allen Memorial Art Museum, Oberlin College, Ohio, “Drawings: After Photography”
Knight Gallery, Spirit Square Arts Center, Charlotte, North Carolina, “Jenny Holzer,
Barbara Kruger, Richard Prince,” Catalogue
1983
The New Museum of Contemporary Art, New York, “Language, Drama, Source and
Vision”
Biennale of Sao Paolo, Sao Paolo, Brazil
John Weber Gallery, New York, “Science Fiction”
1982
Institute of Contemporary Art, Philadelphia, “Image Scavengers,” catalogue
The Contemporary Arts Center, Cincinnati, “Face It”
The Renaissance Society at the University of Chicago, “Art and the Media”
1981
Allen Memorial Art Museum, Oberlin College, Ohio, “New Voices 2: Six
Photographers Concept/Theater/Fiction”
5th Wiener Internationale Biennale, Wiener Secession, Vienna, “Erweiterte
Fotografie”
Hayden Gallery, Massachusetts Institute of Technology, Cambridge, “Body
Language,” Catalogue
1980
ARC/Musee d’Art Moderne de la Ville de Paris, “Ils se disent peintres, ils se disent
photographes”
Metro Pictures, New York
1979
Castelli Graphics, New York, “Pictures – Photographs”
Hartford Art School, University of Hartford, Connecticut, “Imitation of Life”
Biography
Selected Solo Exhibitions
2021
- Richard Prince: Gangs, Gladstone Gallery, New York (24th Street), Chelsea, New York, USA
- Richard Prince: Blasting Mats, Gladstone Gallery, New York (21st Street), New York, USA
- Richard Prince: Nurse Paintings, Skarstedt Gallery, Palm Beach, Palm Beach, Florida, USA
2020
- Richard Prince: Cartoon Jokes, Nahmad Contemporary, Upper East Side, New York, USA
- Richard Prince: New Portraits, Gagosian Gallery, Beverly Hills, Beverly Hills, Los Angeles, California, USA
2019
- Richard Prince: Portraits, MOCAD, Museum of Contemporary Art Detroit, Detroit, Michigan, USA
- Richard Prince: High Times, Gagosian Gallery, San Francisco, San Francisco, California, USA
2018
- Richard Prince: High Times, Gagosian Gallery, New York (21st Street), Chelsea, New York, USA
- Richard Prince: Early Joke Paintings, Skarstedt Gallery, London, St. James’s, London, UK
- Richard Prince. Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway
2017
- Richard Prince: Untitled (cowboy), LACMA, Los Angeles County Museum of Art, Park La Brea, Los Angeles, California, USA
- Richard Prince: Ripple Paintings, Gladstone Gallery, New York (24th Street), Chelsea, New York, USA
- Richard Prince: Super Group, Galerie Max Hetzler, Berlin (Goethestrasse), Charlottenburg, Berlin, Germany
2016
- HIGH TIMES, curated by Richard Prince, Blum & Poe, Los Angeles, Palms, Los Angeles, California, USA
- Richard Prince: The Douglas Blair Turnbaugh Collection (1977-1988), Edward Cella Art & Architecture, Los Angeles, California, USA
- Richard Prince, Sadie Coles HQ, London (Kingly Street), London, UK
2015
- Richard Prince: Cowboy, Gladstone Gallery, New York (21st Street), New York, USA
- Richard Prince: The Figures, Luxembourg + Co., New York, Upper East Side, New York, USA
- Richard Prince: Original, Gagosian Gallery, New York (976 Madison Avenue), New York, USA
- Richard Prince: New Portraits, Blum & Poe, Tokyo, Shibuya-ku, Tokyo, Japan
- Richard Prince: Fashion, Nahmad Contemporary, Upper East Side, New York, USA
2014
- Richard Prince: New Figures, Almine Rech, Paris (rue de Turenne), 3e, Paris, France
- Richard Prince: It’s a Free Concert, Kunsthaus Bregenz, Bregenz, Austria
- Richard Prince: New Figures, Galerie 1900-2000, 6e, Paris, France
- Richard Prince: Canal Zone, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
2013
- Richard Prince: Protest Paintings, Skarstedt Gallery, London, St. James’s, London, UK
- Richard Prince: Cowboys, Gagosian Gallery, Beverly Hills, Beverly Hills, Los Angeles, California, USA
- Richard Prince, Sadie Coles HQ, Burlington Place, London, UK
2012
- Richard Prince: 14 Paintings, 303 Gallery, Chelsea, New York, USA
2011
- Richard Prince:The Fug, Almine Rech, Brussels, Brussels, Belgium
- Richard Prince, Guild Hall Museum, East Hampton, New York, USA
- Richard Prince, Gagosian Gallery, Hong Kong, Central, Hong Kong, Hong Kong
- Richard Prince: de Kooning, Gagosian Gallery, Paris (rue de Ponthieu), 8e, Paris, France
2010
- Richard Prince: T-shirt Paintings – Hippie Punk, Salon 94 Bowery, Lower East Side, New York, USA
- Richard Prince: Tiffany Paintings, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
2009
- Richard Prince, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
2008
- Richard Prince: Canal Zone, Gagosian Gallery, New York (555 W 24th Str), Chelsea, New York, USA
- Richard Prince, Galerie Patrick Seguin, Paris, 11e, Paris, France
- Richard Prince – Continuation, Serpentine South Gallery, London, UK
- Richard Prince: Four Blue Cowboys, Gagosian Gallery, Rome, Rome, Italy
- Richard Prince: Spiritual America, Walker Art Center, Minneapolis, Minnesota, USA
- Richard Prince: Spiritual America, Walker Art Center, Minneapolis, Minnesota, USA
Selected Group Exhibitions
2022
- A Trillion Sunsets. A Century of Image Overload, International Center of Photography, Lower East Side, New York, USA
2021
- Our Most Viewed Art for the Month, Heather James Fine Art, Palm Desert, Palm Desert, California, USA
- The 80s. Art of the Eighties, Albertina Modern, Vienna, Austria
- Our Most Viewed Art for the Month, Heather James Fine Art, Palm Desert, Palm Desert, California, USA
- The (Divine) Comedy Or The Spell As Art Practice, Galerie Raum mit Licht, Vienna, Austria
- Black/White, Skarstedt Gallery, East Hampton, East Hampton, New York, USA
- Horses?, Chart, Tribeca, New York, USA
- Découpage: A Labour of Love, Tarmak22, Saanen, Switzerland
- It Was Acceptable in the 80s, Heather James Fine Art, Palm Desert, Palm Desert, California, USA
- Impressionist, Modern, and Postwar Masters, Acquavella Galleries, Palm Beach, Palm Beach, Florida, USA
- Ongoing Schmidt Pick, Carlier / Gebauer, Berlin, Berlin, Germany
- Faces and Figures, Skarstedt Gallery, New York, Upper East Side, New York, USA
- Hong Kong Exchange, Gagosian Gallery, Hong Kong, Central, Hong Kong, Hong Kong
- Nothing of The Month Club, Off Paradise, Lower Manhattan, New York, USA
2020
- Masterworks from Cézanne to Thiebaud, Acquavella Galleries, New York, Palm Beach, Florida, USA
- ONLINE: Drawing 2020 Release 4/5, Gladstone Gallery, New York (21st Street), New York, USA
- Pictures, Revisited, The Metropolitan Museum of Art, Upper East Side, New York, USA
- Drawing 2020, Gladstone Gallery, New York (21st Street), New York, USA
- Portraits: From The 19th Century To Today, Heather James Fine Art, Jackson Hole, Jackson Hole, Wyoming, USA
- Words, Simon Lee Gallery, London, Mayfair, London, UK
- ONLINE: Words, Simon Lee Gallery, Hong Kong, Central, Hong Kong, Hong Kong
- ONLINE: Under Glass, Half Gallery, New York, Lower Manhattan, New York, USA
- Grayscale: Works in White & Black, Ikon Ltd., Santa Monica, California, USA
- Portraits & Self-Portraits. Made by Artists for Parkett since 1984, Parkett Editions, Zürich, Switzerland
- Jellyfish, Kohn Gallery, Los Angeles, California, USA
- American Pastoral, Gagosian Gallery, London (Britannia Street), London, UK
- Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway
2019
- By / Buy Me, Susan Inglett, Chelsea, New York, USA
- Third Dimension: Works from The Brant Foundation, The Brant Foundation Art Study Center, New York, Lower Manhattan, New York, USA
- What We See, How We See, The Parrish Art Museum, Southampton, New York, USA
- Happy!, NSU Art Museum, Fort Lauderdale, Ft. Lauderdale, Florida, USA
- Inside – Out. Constructions Of The Self, Kunstmuseum Wolfsburg, Wolfsburg, Germany
- On the Turn: Selections From the Collection of Emily Fisher Landau, LX Arts NYC, Upper East Side, New York, USA
- 303 Gallery: 35 Years, 303 Gallery, Chelsea, New York, USA
- Jim Shaw & Richard Prince: Insomnia, False Flag, Long Island City, New York, USA
- Push. Pull, Skarstedt Gallery, London, St. James’s, London, UK
- PHOTO: The First Survey of All Photographic Works. Made by Artists for Parkett since 1984, Parkett Editions, Zürich, Switzerland
- Between the Lines, Maddox Gallery, London (Maddox Street), Mayfair, London, UK
- Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum, Upper East Side, New York, USA
- Double Vision: Curated by Jane Holzer, Leila Heller Gallery, New York, Upper East Side, New York, USA
- Portraits, Skarstedt Gallery, New York, Upper East Side, New York, USA
- Step By Step – Visions of an Art Dealer’s Collection, Nouveau Musée National de Monaco, Villa Sauber, Monte-carlo, Monaco
- Visions of the Self: Rembrandt and Now. In partnership with English Heritage, Gagosian Gallery, London (Grosvenor Hill), Mayfair, London, UK
- Art In America, Galerie 1900-2000, 6e, Paris, France
- Another Music In a Different Kitchen: Studio Recordings & Records by Artists, Karma Gallery (172 E 2nd Str), New York, USA
- MCMXXXIV, Massimo De Carlo, Milan / Ventura, Milan, Italy
- Inaugural Exhibition, Leila Heller Gallery, New York, Upper East Side, New York, USA
- Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum, Upper East Side, New York, USA
- Hyper! Journey Into Art and Music, Deichtorhallen Hamburg, Hamburg, Germany
- Times of Upheaval. Stories and microstories in the IVAM collection, IVAM, Institut Valencià d`Art Modern, Valencia, Spain
- Winter Group Show, Skarstedt Gallery, London, St. James’s, London, UK
2018
- Under Erasure, Pierogi, New York, USA
- Winter Contemporary, Maddox Gallery, Gstaad, Gstaad, Switzerland
- True Stories: A Show Related to an Era – The Eighties: Part II, Galerie Max Hetzler, Berlin (Goethestrasse), Charlottenburg, Berlin, Germany
- True Stories. A Show Related to an Era – The Eighties, Galerie Max Hetzler, Berlin (Goethestrasse), Charlottenburg, Berlin, Germany
- You Are Looking At Something That Never Occurred, Multimedia Art Museum, Moscow / Moscow House of Photography, Moscow, Russia
- Syphilis, Rental Gallery, East Hampton, New York, USA
- Counterpoint: Selections from The Peter Marino Collection, Southampton Arts Center, Southampton, New York, USA
- Barbara Bloom in Context: Works from the Pictures Generation, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, USA
- Cindy Sherman, Richard Prince. Colección Astrup Fearnley, Fundación Malba, Buenos Aires, Argentina
- Summer Selection from the Elgiz Collection, Elgiz Museum, Istanbul, Turkey
- Five Years at Nahmad Contemporary, Nahmad Contemporary, Upper East Side, New York, USA
- About Photography, Gagosian Gallery, San Francisco, San Francisco, California, USA
- If I Was Your Girlfriend: A Jam, Belmacz, London, UK
- Inéchangeable, WIELS, Contemporary Art Centre, Brussels, Belgium
- Robert Grosvenor | Richard Prince, Galerie Max Hetzler, Paris, 4e, Paris, France
- Nudes, Sadie Coles HQ, London (Davies Street), Mayfair, London, UK
- 68-18, Shin Gallery, Lower East Side, New York, USA
- Apartment of Mr Reverend, OVCHARENKO, Moscow, Russia
- Art & Entertainment , MAMCO Geneve, Geneva, Switzerland
- Group Exhibition: New Editions, Knust Kunz, Munich (Ludwigstrasse), Munich, Germany
- Brand New: Art and Commodity in the 1980s, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, National Mall, Washington D.C., District Of Columbia, USA
- 6 Artists, Eleni Koroneou Gallery, Athens, Greece
2017
- An Untitled Installation Conceived by Robert Gober, Aspen Art Museum, Aspen, Colorado, USA
- made on the table, Sadie Coles HQ, London (Davies Street), Mayfair, London, UK
- New Pleasure, Simon Lee Gallery, New York, Upper East Side, New York, USA
- Home: An Homage To Colin De Land, Massimo De Carlo, Milan / Ventura, Milan, Italy
- Baselitz, Fischl, Prince, Sherman, Trockel, Skarstedt Gallery, London, St. James’s, London, UK
- Words are Deeds, Phillips London, Mayfair, London, UK
- On aime l’art…!! Un choix d’Éric Mézil parmi les oeuvres de la Collection agnès b., Collection Lambert en Avignon, Avignon, France
- VERY APPROPRIATE, Robert Berman Gallery, Santa Monica, Los Angeles, California, USA
- The Times, The FLAG Art Foundation, Chelsea, New York, USA
- Trésors, Immanence, Espace d’Art Contemporain, 15e, Paris, France
- White Trash, Luhring Augustine, Bushwick, Brooklyn, New York, USA
- Hand-Painted Pop! Art and Appropriation, 1961 to Now, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA
- The Carpet Kartell: Equator Productions & Henzel Studio, Tanja Grunert Gallery, New York, USA
- Cowboy, Charles Riva Project, Brussels, Belgium
- You Are Looking at Something That Never Occurred, Zabludowicz Collection, London, London, UK
- THE ENDS OF COLLAGE : London, Luxembourg + Co., London, London, UK
- Double Take: A re-framing, re-staging and re-presentation of appropriation in photography from the 1960s to the present day., Skarstedt Gallery, London, St. James’s, London, UK
- What I Loved: Selected Works from the ’90s, Regen Projects, Hollywood, Los Angeles, California, USA
- THE ENDS OF COLLAGE: New York, Luxembourg + Co., New York, Upper East Side, New York, USA
- The American Line, Skarstedt Gallery, New York (Chelsea), Chelsea, New York, USA
- Anne Turyn: Top Stories Archive & Selected Flashbulb Memories, 1978-1991, SouthFirst, Brooklyn, New York, USA
- Palm Springs Popup, Ikon Ltd., Santa Monica, California, USA
- LANGUAGE as REPRESENTATION, Fisher Landau Center for Art, Long Island City, New York, USA
- Fischl, Holzer, Prince, Salle, Sherman, Skarstedt Gallery, New York (Chelsea), Chelsea, New York, USA
- Dunham, Kippenberger, Muñoz, Prince, Sherman, Trockel, Warren, Skarstedt Gallery, New York, Upper East Side, New York, USA
2016
- I.C. Editions 25th Anniversary Exhibition, Susan Inglett, Chelsea, New York, USA
- Desire, Gagosian Gallery, New York (980 Madison Avenue), Miami, Florida, USA
- Implosion 20, Anton Kern Gallery, New York, USA
- Portraits, Skarstedt Gallery, New York, Upper East Side, New York, USA
- Every Future Has a Price: 30 Years After Infotainment, Elizabeth Dee, Harlem, New York, USA
- The Sun Placed in the Abyss, Columbus Museum of Art, Ohio, Columbus, Ohio, USA
- Accrochage, CFA, Contemporary Fine Arts, Charlottenburg, Berlin, Germany
- Protest, Victoria Miro, London, Hoxton, London, UK
- Wall to Wall: Carpets by Artists, Museum of Contemporary Art, Cleveland, Cleveland, Ohio, USA
- Nude: From Modigliani to Currin, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
- Language as Representation, Fisher Landau Center for Art, Long Island City, New York, USA
- Piston Head II: Artists Engage the Automobile, Venus Over Los Angeles, Los Angeles, California, USA
- Two Palms, CFA, Contemporary Fine Arts (Mitte), Mitte, Berlin, Germany
- Summer 2016: Collected Works, Rennie Collection, Vancouver, British Columbia, Canada
- IN TUNE WITH THE THEME, Parkett Editions, Zürich, Switzerland
- LEXICON, Gagosian Gallery, Paris (rue de Ponthieu), 8e, Paris, France
- Allure, C/O Berlin, Berlin, Germany
- Shrines to Speed: Art And The Automobile: From The Minimal To The Postmodern, Leila Heller Gallery, New York, Upper East Side, New York, USA
- Borsch and Champagne: Selected Works from the collection of Vladimir Ovcharenko, Moscow Museum of Modern Art, Petrovka Street, Moscow, Russia
- Les Fleurs du Mal, Nahmad Contemporary, Upper East Side, New York, USA
- Ordinary Pictures, Walker Art Center, Minneapolis, Minnesota, USA
- Fétiche, Venus Over Manhattan, Upper East Side, New York, USA
- In the Making, Luxembourg + Co., New York, Upper East Side, New York, USA
- Heroes, Galerie Vallois, 6e, Paris, France
- In Different Ways, Almine Rech, London (Savile Row), Mayfair, London, UK
2015
- Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art, Greenwich Village, New York, USA
- Walkers: Hollywood Afterlives in Art and Artifact, Museum of the Moving Image, Astoria, New York, USA
- The Avant-Garde Won’t Give Up: Cobra and Its Legacy, Blum & Poe, Los Angeles, Palms, Los Angeles, California, USA
- Art Culver City Los Angeles, Mark Moore Gallery, Culver City, Los Angeles, California, USA
- Beverly Hills 20-Year Anniversary Invitational Exhibition, 1995–2015, Gagosian Gallery, Beverly Hills, Beverly Hills, Los Angeles, California, USA
- Good Morning America, Astrup Fearnley Museet, Oslo, Norway
- Maurizio Nannucci: Top Hundred, Museion, Museo d’Arte Moderna e Contemporanea, Bolzano, Italy
- Von Bildern: Strategien der Aneignung, Kunstmuseum Basel, Gegenwart, Basel, Switzerland
- Group Show: 826NYC Exhibition & Auction, David Zwirner, New York (533 W 19th Street), Chelsea, New York, USA
- In Girum Imus Nocte et Consumimur Igni, Museo Jumex, Santa Maria Tulpeltac, Mexico City, Mexico
- PICTURES AND CREAM – The confidential report of the life and opinions of Tristram Shandy & friends, Cristina Guerra Contemporary Art, Lisbon, Portugal
- WORD BY WORD, Luxembourg + Co., London, London, UK
- #RAWHIDE, Venus Over Manhattan, Upper East Side, New York, USA
- Choice Works, Mana Contemporary Jersey City, Jersey City, New Jersey, USA
- 2015 White Columns Benefit Exhibition, White Columns, Greenwich Village, New York, USA
- America Is Hard to See, Whitney Museum of American Art, Greenwich Village, New York, USA
- Works from the Astrup Fearnley Collection, Astrup Fearnley Museet, Oslo, Norway
- Open Source: Art at the Eclipse of Capitalism, Galerie Max Hetzler, Berlin (Goethestrasse), Charlottenburg, Berlin, Germany
- Group Show, Marc Jancou Contemporary, New York, 57th Street, New York, USA
2014
- Le Père Noël a les yeux bleus, GDM…, 3e, Paris, France
- Peter Marino: One Way, Bass Museum of Art, Miami Beach, Miami, Florida, USA
- To Have and to Hold, Rubell Museum, Miami, Florida, USA
- Meyer Vaisman: In The Vicinity of History, 5774, KaBe Contemporary, Downtown Miami, Miami, Florida, USA
- 10th Annual Thanksgiving Collective: Attitudes, Tripoli Gallery, Southampton, New York, USA
- Post Pop: East Meets West, Saatchi Gallery, London, UK
- Ma-re Mount, Galerie Buchholz, Cologne, Cologne, Germany
- Body Doubles, Museum of Contemporary Art (MCA) Chicago, Near North Side, Chicago, Illinois, USA
- Disturbing Innocence, The FLAG Art Foundation, Chelsea, New York, USA
- Le Jardin Décomposé / Decomposed Garden, Gagosian Gallery, Le Bourget, Paris, France
- Beg, Borrow and Steal from the Rubell Family Collection, Miami, Taubman Museum of Art, Roanoke, Virginia, USA
- Pop Departures, Seattle Art Museum, Seattle, Washington, USA
- URBAN THEATER: NEW YORK ART IN THE 1980s, Modern Art Museum of Fort Worth, Ft. Worth, Texas, USA
- SED TANTUM DIC VERBO (JUST SAY THE WORD), Blain Southern, Berlin, Kreuzberg, Berlin, Germany
- The Shock Of The New, Mead Carney, Porto Montenegro, Montenegro
- In Homage, Skarstedt Gallery, London, St. James’s, London, UK
- Joyride, Marlborough Broome Street, New York, USA
- (Mis) Understanding Photography, Museum Folkwang Essen, Essen, Germany
- Plate-Forme, Almine Rech, Brussels, Brussels, Belgium
- Collection Platform, PinchukArtCentre, Kiev, Ukraine
- The Shaped Canvas, Revisited, Luxembourg + Co., New York, Upper East Side, New York, USA
- Look At Me: Portraiture from Manet to the Present, Leila Heller Gallery, New York, Upper East Side, New York, USA
- No Problem Cologne/New York 1984-1989, David Zwirner, New York (533 W 19th Street), New York, USA
- Paperwork: A Brief History of Artists’ Scrapbooks, Institute of Contemporary Arts, London, St. James’s, London, UK
- New Pop: Illustrated Americana, Marc Jancou Contemporary, New York, 57th Street, New York, USA
- An American in Paris: Works from a Private Collection, Gagosian Gallery, Le Bourget, Paris, France
2013
- Affordable bananas or whatever, Nosbaum Reding, Luxembourg, Luxembourg, Luxembourg
- UFO, David Nolan, Upper West Side, New York, USA
- Collection Platform 4: Emotion and Technology, PinchukArtCentre, Kiev, Ukraine
- The Show is Over, Gagosian Gallery, London (Britannia Street), London, UK
- Neue Editionen, Knust Kunz, Munich (Ludwigstrasse), Munich, Germany
- In-between, Skarstedt Gallery, London, St. James’s, London, UK
- The Spook Rock Rd, Galerie Frank Elbaz, Paris, 3e, Paris, France
- Legacy: The Emily Fisher Landau Collection, Asheville Art Museum, Asheville, North Carolina, USA
- The Cat Show, White Columns, Greenwich Village, New York, USA
- Collection Platform 4: Emotion and Technology, PinchukArtCentre, Kiev, Ukraine
- Textures: The Written Word in Contemporary Art, ACA Galleries, Chelsea, New York, USA
- Group Show, Gagosian Gallery, Hong Kong, Central, Hong Kong, Hong Kong
- Legacy: The Emily Fisher Landau Collection, Norton Museum of Art, West Palm Beach, Florida, USA
- Beg Borrow and Steal, Palm Springs Art Museum, Palm Springs, California, USA
- Beg Borrow and Steal, Palm Springs Art Museum, Palm Springs, California, USA
- The Book Lovers, EFA Project Space, New York, USA
2012
- Only parts of us will ever touch parts of others, Thaddaeus Ropac, Paris (Marais), 3e, Paris, France
- Only Parts of us Will Ever Touch Parts of Others, Thaddaeus Ropac, Paris (Marais), 3e, Paris, France
- This Will Have Been: Art, Love & Politics in the 1980s, Institute of Contemporary Art (ICA) Boston, Back Bay, Boston, Massachusetts, USA
- The Grotesque Factor, Museo Picasso Málaga, Malaga, Spain
- Paul Buck: In the dissapearing mist, the gift whispers, Focal Point Gallery, Southend-on-sea, UK
- ARTandPRESS – Art. Truth. Reality., ZKM | Center for Art & Media, Karlsruhe, Germany
- The Feverish Library, Petzel Gallery, New York (456 W 18th), Chelsea, New York, USA
- Time Capsule, Rubell Museum, Miami, Florida, USA
- Time Capsule, Age 13 to 21: The Contemporary Art Collection of Jason Rubell, Nasher Museum of Art at Duke University, Durham, North Carolina, USA
- Chamberlain, Gursky, Hirst, Kusama, Prince, Gagosian Gallery, Beverly Hills, Beverly Hills, Los Angeles, California, USA
- The Residue of Memory, Aspen Art Museum, Aspen, Colorado, USA
- Mix/Remix, Luhring Augustine, Chelsea, Chelsea, New York, USA
- Emily Carr and the Theatre of Transcendence, Vancouver Art Gallery, Vancouver, British Columbia, Canada
- Prince / Picasso, Museo Picasso Málaga, Malaga, Spain
- Inside a Book of Gold: Artist’s Edition with Parkett, UCCA Beijing, Beijing, China
- Mike Kelley & Richard Prince: Hoodwinked, Nyehaus, New York, USA
2011
- AMERICAN EXUBERANCE, Rubell Museum, Miami, Florida, USA
- Hunting of the Snark, GDM…, 3e, Paris, France
- Collecting Stories, The Rose Art Museum, Waltham, Massachusetts, USA
- AutoBody Featuring North of South, West of East, Ballroom Marfa, Marfa, Texas, USA
- Art², The FLAG Art Foundation, Chelsea, New York, USA
- Signs of a Struggle: Photography in the Wake of Postmodernism, V&A London, South Kensington, London, UK
- Nose Job, Eric Firestone Gallery, East Hampton, East Hampton, New York, USA
- We Will Live, We Will See, Zabludowicz Collection, London, London, UK
- Zwei Sammler – Thomas Olbricht and Harald Falckenberg, Deichtorhallen Hamburg, Hamburg, Germany
- Through the Looking Brain: A Swiss Collection of Conceptual Photography, Kunstmuseum Bonn, Bonn, Germany
- Car Fetish. I drive, therefore I am., Museum Tinguely, Basel, Switzerland
- Made in Italy, Gagosian Gallery, Rome, Rome, Italy
- That’s the Way We Do It: The Techniques and Aesthetic of Appropriation, Kunsthaus Bregenz, Bregenz, Austria
- Figures in a Landscape, Gagosian Gallery, Hong Kong, Central, Hong Kong, Hong Kong
- Text/Video/Female: Art after 60’s, PKM Trinity Gallery, Gangnam-gu, Seoul, South Korea
- Are You Glad to Be in America?, Massimo De Carlo, Milan / Ventura, Milan, Italy
- Collection Platform 1: Circulation, PinchukArtCentre, Kiev, Ukraine
- Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, Greenwich Village, New York, USA
2010
- Rowboat Box, GDM…, 3e, Paris, France
- Gagosian Pop-Up!, Gagosian Gallery, London (Davies Street), Mayfair, London, UK
- Time Capsule, Age 13 to 21: The Contemporary Art Collection of Jason Rubell, Rubell Museum, Miami, Florida, USA
- Picture Industry (Goodbye to All That), Regen Projects II, Los Angeles, California, USA
- Projections Series: Music Video, MAC, Musée d’Art Contemporain de Montréal, Montreal, Quebec, Canada
- Summer Shows, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
- Pop Life: Art in a Material World, National Gallery of Canada, Ottawa, Ontario, Canada
- Sexuality and Transcendence, PinchukArtCentre, Kiev, Ukraine
- Rewind: 1970s to 1990s Works from the MCA Collection, Museum of Contemporary Art (MCA) Chicago, Near North Side, Chicago, Illinois, USA
- Your History is not Our History, Haunch of Venison, New York, Midtown, New York, USA
- Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, Lower East Side, New York, USA
- The Amen Break, Galerie Thomas Flor, Düsseldorf, Germany
- Crash, Gagosian Gallery, London (Britannia Street), London, UK
- The Visible Vagina, David Nolan, Upper West Side, New York, USA
- Collecting Biennials, Whitney Museum of American Art, Greenwich Village, New York, USA
- The Infinite Starburst of Your Cold Dark Eyes, PKM Gallery, Bartleby Bickle & Meursault, Jongro-gu, Seoul, South Korea
2009
- Beg Borrow and Steal, Rubell Museum, Miami, Florida, USA
- Cubes, Blocks And Other Spaces, MAC, Musée d’Art Contemporain de Montréal, Montreal, Quebec, Canada
- Five Decades of Passion. Part Two: The Founding of the Center, 1989-1991, Fisher Landau Center for Art, Long Island City, New York, USA
- Pop Life: Art In A Material World, Tate Modern, Bankside, London, UK
- Exposed! — Revealing Sources In Contemporary Art, Delaware Art Museum, Wilmington, Delaware, USA
- Stages Lance Armstrong Foundation launch a global art exhibition to raise funds and awarness in the fight against cancer, Galerie Perrotin, Paris (Turenne), 3e, Paris, France
- Don’t Panic! I’m Selling The Collection, Mesler/Feuer, Soho, New York, USA
- Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi, François Pinault Foundation, Venice, Italy
- U.F.O.: Art and Design, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany
- Louis Vuitton: A Passion for Creation, HKMoA, Hong Kong Museum of Art, Kowloon City, Hong Kong, Hong Kong
- Go Figure, Gagosian Gallery, New York (980 Madison Avenue), Upper East Side, New York, USA
- 40Th Anniversary Benefit Auction, White Columns, Greenwich Village, New York, USA
- The Pictures Generation, 1974–1984, The Metropolitan Museum of Art, Upper East Side, New York, USA
- Bijoux de famille, Galerie Chantal Crousel, 3e, Paris, France
- SONIC YOUTH etc. : SENSATIONAL FIX, Kunsthalle Düsseldorf, Düsseldorf, Germany
- SHE: Images of Women by Wallace Berman & Richard Prince, Kohn Gallery, West Beverly, Los Angeles, California, USA
2008
- Encounters, Pace Beijing, Beijing, China
- Freeway Balconies: Contemporary American Art, PalaisPopulaire by Deutsche Bank, Mitte, Berlin, Germany
2005
- The Shape of Time, Walker Art Center, Minneapolis, Minnesota, USA