Helen Downie, Alice Gavalet, Luke Edward Hall, Jordy Kerwick, Nicolas Lefebvre, Joel Mesler, Elsa Rouy, Yves Scherer, Mario Testino, Erwin Wurm

CAN Art Fair Ibiza 2026

June 25th –
June 28th, 2026
Ibiza, Spain
  • Yves Scherer
    Goaty,2025
    Stainless steel
    97.8 × 43.2 × 80 cm (38 ½ × 17 × 31 ½ in)
  • Yves Scherer
    Imagine (Kate Red Flower),2024
    Archival print, acrylic glass, lenticular lens and Dibond, framed
    163.5 × 123.5 cm (64 ¼ × 48 ½ in)
    Framed: Polished aluminum frame with glass
  • Joel Mesler
    Ibiza,2026
    Pigment and dye on rag paper, framed
    56 × 76 cm (22 × 30 in)
    Framed
  • Joel Mesler
    Get Wet,2026
    Pigment and dye on rag paper
    56.3 × 76.8 cm (22 ¼ × 30 ¼ in)
  • Joel Mesler
    Splash,2026
    Pigment and dye on rag paper
    56.3 × 76.8 cm (22 ¼ × 30 ¼ in)
  • Joel Mesler
    Sunset,2026
    Pigment on linen
    114.3 × 83.8 cm (45 × 33 in)
  • Joel Mesler
    Love,2026
    Pigment on linen
    83.8 × 114.3 cm (33 × 45 in)
  • Helen Downie
    Huddie,2024-2026
    Chalk, acrylic gouache, ink on Fabriano paper
    36 × 27 cm (14 ¼ × 10 ¾ in)
  • Helen Downie
    Man at Frieze becoming Hugo,2024-2026
    Chalk, acrylic gouache, ink on Fabriano paper
    45 × 31 cm (17 ¾ × 12 ¼ in)
  • Helen Downie
    Boy in Morden Cafe,2024-2026
    Chalk, acrylic gouache, ink on Fabriano paper
    34 × 29 cm (13 ½ × 11 ½ in)
  • Helen Downie
    Boy Overwhelmed by Marina,2024-2026
    Chalk, acrylic gouache, ink on Fabriano paper
    28 × 24 cm (11 × 9 ½ in)
  • Alice Gavalet
    Untitled (Cabinet),2026
    Glazed ceramic and wood
    90 × 155 × 44 cm (35 ½ × 61 × 17 ¼ in)
  • Alice Gavalet
    Untitled,2026
    Glazed ceramic
    58 × 45 × 15 cm (22 ¾ × 17 ¾ × 6 in)
  • Alice Gavalet
    Untitled,2026
    Glazed ceramic
    58 × 51 × 15 cm (22 ¾ × 20 × 6 in)
  • Mario Testino
    Gisele Bündchen, Malibu, American Vogue,2002
    Digitally produced C-Type print, framed
    151 × 120 cm (59 ½ × 47 ¼ in)
    Framed
  • Mario Testino
    Anja Rubik & Edita Vilkeviciute, Vogue Paris, Monaco,2013
    Digitally produced C-type print, framed
    138 × 108 × 5 cm (54 ¼ × 42 ½ × 2 in)
    Framed
  • Mario Testino
    Fernanda Lima, Rio de Janeiro, Vanity Fair,2007
    Digitally produced C-type print
    180 × 135 cm (70 ¾ × 53 ¼ in)
  • Elsa Rouy
    Fata morgana,2026
    Acrylic, oil and charcoal on canvas
    100 × 60 cm (39 ¼ × 23 ½ in)
  • Jordy Kerwick
    The turning of the tides (out of the darkness into the grey),2026
    Oil and acrylic on canvas
    100 × 120 cm (39 ¼ × 47 ¼ in)
  • Nicolas Lefebvre
    Préa,2022
    Bones, African glass, fishing net floats
    150 × 130 cm (59 × 51 ¼ in)
  • Nicolas Lefebvre
    Zapata,2023
    Glass, wood, stone, shell
    37 × 17 cm (14 ½ × 6 ¾ in)
  • Luke Edward Hall
    A Memory, a Myth,2025
    Oil on canvas
    100 × 70 cm (39 ¼ × 27 ½ in)
  • Luke Edward Hall
    Dancing Bathers,2025
    Oil pastel on paper
    50 × 35 cm (19 ¾ × 13 ¾ in)
  • Luke Edward Hall
    Red Sailor,2025
    Watercolor on paper
    41 × 30 cm (16 ¼ × 11 ¾ in)
  • Luke Edward Hall
    The Shepherd,2025
    Crayon on paper
    42 × 30 cm (16 ½ × 11 ¾ in)

Bringing together a group of international artists whose practices move between painting, sculpture, photography and works on paper, Patricia Low Contemporary’s presentation for CAN Art Fair Ibiza 2026 reflects on the ways contemporary artists construct worlds of colour, image, humour and imagination. Across the works on view, figures, objects, interiors and landscapes become charged spaces, at times playful, theatrical or dreamlike, where familiar forms are transformed into something stranger and more open-ended.

Painting sits at the centre of the presentation. In the works of Helen Downie, Alice Gavalet, Jordy Kerwick, Elsa Rouy, Luke Edward Hall and Yves Scherer, the figure becomes a site of reinvention. Their approaches differ widely, moving from intimate and instinctive gestures to more stylised, symbolic or staged compositions, yet each artist treats the image as a space where identity, memory and fiction can shift. Bodies appear fragmented, disguised, exposed or absorbed into their surroundings, suggesting a world in which appearances are never fixed.

This sense of transformation continues through the work of Joel Mesler and Nicolas Lefebvre. Mesler’s paintings and works on paper bring together language, colour and personal symbolism, creating compositions that feel at once direct and elusive. Lefebvre’s work draws upon collected materials, architectural fragments and natural forms, building layered objects that carry traces of travel, history and place. Together, their practices introduce a dialogue between image and object, between the immediacy of the painted surface and the physical presence of things.

Photography and sculpture extend this conversation further. Mario Testino’s images explore the construction of glamour, intimacy and performance, revealing the ways an image can shape both public identity and private mythology. Erwin Wurm’s sculptural language approaches the body and the everyday through distortion, wit and absurdity, turning familiar forms into moments of tension and surprise. Within the context of Ibiza, where image, leisure and performance are deeply intertwined, these works take on a particular resonance.

Rather than following a single theme, the presentation unfolds through a series of correspondences between artists. Colour, humour, artifice and the body recur throughout the booth, creating a lively and layered encounter between distinct practices. For CAN Art Fair Ibiza, Patricia Low Contemporary presents a selection that reflects the gallery’s ongoing interest in artists who use image-making not simply to represent the world, but to reshape the way it is seen.

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