The networks inherent to Shiota’s installations also take the form of more personal and smaller scaled sculptures retaining objects as if in mid-air, or weave themselves as a red thread throughout her paintings and drawings. In the intricacy of these intimate works, one can still be moved by her powerful translation of complex moments in life and death.
Chiharu Shiota’s Museum exhibitions include MoMA PS1, New York (USA, 2003), National Museum of Art, Osaka (Japan, 2008), La Maison Rouge, Paris (France, 2011), Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa (Japan, 2012), Sherman Contemporary Art Foundation, Sydney, (Australia, 2013), The Museum of Art, Kochi (Japan, 2013), Freer and Sackler Gallery of Art, Washington D.C. (USA, 2014) and Kunstsammlung Düsseldorf, K21, Düsseldorf (Germany, 2015), to mention a few.
She has participated in 56th Biennale di Venezia, Italy, 2015, Aichi Triennale, Japan, 2010, Gwangju Biennale, South Korea, 2006, Yokohama Triennale, Japan, 2001 among others. Shiota’s Oeuvre includes also stage design; she has co-operated with several theaters and operas such as Theater Kiel (Tristan und Isolde, 2014), at different places for the play Matsukaze, directed by Sasha Waltz (recently in Berlin).
Her works are included in the following collections: The Leopold Private Collection, Vienna (Austria), 21st Century Museum of Contemporary Art, Kanazawa (Japan), The Hoffmann Collection, Berlin (Germany), The National Museum of Modern Art, Tokyo (Japan).