Biography Wolfgang Tillmans

1968
Born in Remscheid, Germany

1987–1990
Lives and works in Hamburg, Germany

1990–1992

Studies at Bournemouth and Poole College of Art and Design, Bournemouth, England

1992–1994

Lives and works in London

1994–1995

Lives and works in New York

1995
Ars Viva Prize, Bundesverband der Deutschen Industrie e. V
Kunstpreis der Böttcherstraße, Bremen, Germany

1995–1996
Works in Berlin for three months

Since 1996
Lives and works in London

1998–1999

Visiting professorship at the Hochschule für bildende Künste (School of Fine Arts)
Hamburg, Germany

2000
Turner Prize 2000, Tate Britain, London

2001
Honorary Fellowship, The Arts Institute at Bournemouth, England

Since 2003

Professorship of interdisciplinary art at Städelschule, Frankfurt am Main, Germany

Since 2006
Runs Between Bridges exhibition space in London

Since 2007
Lives in London and Berlin

Solo Exhibitions

1988
Approaches, Café Gnosa, Hamburg, Germany
Approaches, Fabrik—Foto—Forum, Hamburg, Germany; Municipal Library, Remscheid,
Germany
Blutsturz, Front, Hamburg, Germany

1989
Café Gnosa, Hamburg, Germany

1991
Grauwert Galerie, Hamburg, Germany

1992
Diptychen, 1990–1992, PPS. Galerie F. C. Gundlach, Hamburg, Germany

1993
arsFutura Galerie, Zurich

Galerie Daniel Buchholz—Buchholz + Buchholz, Cologne, Germany
Interim Art, London
L.A. Galerie, Frankfurt am Main, Germany

1994
Andrea Rosen Gallery, New York
Fehlmann AG, Schoeftland, Switzerland
Galerie Daniel Buchholz, Cologne, Germany
Galerie Thaddaeus Ropac, Paris

1995
Interim Art, London
Kunsthalle Zurich (exh. cat.)
neugerriemschneider, Berlin
Portikus, Frankfurt am Main, Germany (exh. cat.)
Regen Projects, Los Angeles
Stills Gallery, Edinburgh

1996
Andrea Rosen Gallery, New York
arsFutura Galerie, Zurich
Faltenwürfe, Galerie Daniel Buchholz, Cologne, Germany
For When I’m Weak I’m Strong/Wer Liebe wagt lebt morgen, Kunstmuseum, Wolfsburg,
Germany (exh. cat.)

Galleri Nicolai Wallner, Copenhagen
Kunstverein Elsterpark, Leipzig, Germany

1997
Galleria S.A.L.E.S, Rome
hale-Bopp, Galerie Daniel Buchholz, Art Cologne, Cologne, Germany
I Didn’t Inhale, Chisenhale Gallery, London

1998
Andrea Rosen Gallery, New York
Café Gnosa, Hamburg, Germany
Le Case d’Arte di Pasquale Lecese, Milan, Italy
Fruiciones, Museo Nacional Reina Sofia, Espacio Uno, Madrid (exh. cat.)

1999
Eins ist sicher: Es kommt immer ganz anders als man denkt, Städtische Galerie,
Remscheid, Germany
Galleria S.A.L.E.S, Rome
neugerriemschneider, Berlin
Regen Projects, Los Angeles
Saros, Galerie Daniel Buchholz, Cologne, Germany
Soldiers—The Nineties, Andrea Rosen Gallery, New York
Soldiers—The Nineties, arsFutura Galerie, Zurich
Soldiers—The Nineties, Neuer Aachener Kunstverein, Aachen, Germany
sommercontemporaryart, Tel Aviv
Space between Two Buildings/Soldiers—The Nineties, Maureen Paley/Interim Art,
London
Wako Works of Art, Tokyo (exh. cat.)

2000
Blushes, fig–1, London
Galerie Meyer Kainer (with Jochen Klein), Vienna
Galerie Rüdiger Schöttle (with Thomas Ruff), Munich, Germany

2001
Andrea Rosen Gallery, New York
Science Fiction/hier und jetzt zufrieden sein AC:
Isa Genzken, Wolfgang Tillmans, Museum Ludwig, Cologne, Germany (exh. cat.)
Super Collider, Galerie Daniel Buchholz, Cologne, Germany
View from Above/Aufsicht, Deichtorhallen Hamburg, Germany; Castello di Rivoli—
Museo d’Arte
Contemporanea, Rivoli, Italy; Palais de Tokyo, Paris; Louisiana Museum for moderne
kunst, Humlebœk, Denmark (exh. cat.)
Wako Works of Art, Tokyo (exh. cat.)

2002

Lights (Body), Andrea Rosen Gallery, New York
Lights (Body), Galeria S.A.L.E.S, Rome
Maureen Paley/Interim Art, London
Partnerschaften II (with Jochen Klein), Neue Gesellschaft für Bildende Kunst, Berlin
(exh. cat.)
Regen Projects, Los Angeles
sommercontemporaryart, Tel Aviv
Veduta dall’ alto, Castello di Rivoli—Museo d’Arte
Contemporanea, Rivoli, Turin (exh. cat.)
Vue d’en Haut, Palais de Tokyo, Paris (exh. cat.)
Wolfgang Tillmans: still life, The Fogg Art Gallery, Busch Reisinger Museum, Harvard;
Cambridge, Mass. (exh. cat.)

2003
Andrea Rosen Gallery, New York
Frans Hals Museum, Haarlem, Netherlands
Galerie Daniel Buchholz, Cologne, Germany
if one thing matters, everything matters, Tate Britain, London (exh. cat.)
View From Above, Louisiana Museum for moderne kunst, Humlebœk, Denmark (exh.
cat.)

2004
Wolfgang Tillmans: Freischwimmer, Tokyo Opera City
Art Gallery, Tokyo (exh. cat.)
neugerriemschneider, Berlin
Panoramabar, Berlin (permanent installation)
Regen Projects, Los Angeles
Encounters in the 21

st Century: Polyphony – Emerging Resonances, 21st Century

Museum for Contemporary Art, Kanazawa, Japan
Wako Works of Art, Tokyo (exh. cat.)

2005
2005, Galería Juana de Aizpuru, Madrid
Markt, Galerie Meerrettich, Berlin
Press to Exit Project Space, Skopje, Macedonia
Truth Study Center, Maureen Paley, London

2006
Freedom From The Known, PS1, New York (exh. cat.)
Helsinki-Festival, Taidehalli, Helsinki
Museum of Contemporary Art, Chicago; Hammer Museum, Los Angeles; Hirshhorn
Museum and Sculpture Garden, Washington DC, (2007) (exh. cat.)
Pinakothek der Moderne (permanent collection), Munich, Germany

2007
Atair, Andrea Rosen Gallery, New York

Faltung, Camera Austria, Graz, Austria
Bali, Kestner-Gesellschaft, Hannover, Germany
Kunstverein Munich, Munich, Germany
paper drop, Galerie Daniel Buchholz, Cologne, Germany

2008
Maureen Paley, London
Stedelijk Museum, Amsterdam, Netherlands
Hamburger Bahnhof Museum fur Gegenwart, Berlin, Germany

Group Exhibitions

1989
Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg, Germany (exh.
cat.)

1991
Icons of a Mutinous Age: Three Photographers,
Bournemouth and Poole College of Art and Design, Bournemouth, England

1992
i-D Now, Pitti Image, Palazzo Corsini, Florence, Italy
tomorrow people, Imagination Gallery, London
We Haven’t Stopped Dancing Yet, PPS, Galerie F. C. Gundlach, Hamburg, Germany

1993
Atelier, collaboration with Isa Genzken; Galerie Daniel Buchholz, Cologne, Germany;
Wilma Tolksdorf, Hamburg, Germany
Belcher, Höller, General Idea, Tillmans, Odenbach, Galerie Daniel Buchholz, Cologne,
Germany
Christmasshop, Air de Paris, Paris
Fuck the System, Villa Rossi, Lucca, Italy
June, Galerie Thaddaeus Ropac, Paris
November Television, Videoprojekt Remscheid, Esther Schipper, Cologne, Germany
Phenylovethylamour, Unfair 1993, Cologne, Germany, stand of the Galerie Daniel
Buchholz
Tresorraume, Unfair 1993, Cologne, Germany

1994
100 Umkleidekabinen, Bad zur Sonne, Graz, Austria (exh. cat.)
Ars Lux, 100 artist billboard light boxes across Italy
Expose Yourself, The Tannery, London, England
Les Dimanches de l’amour, École des Beaux-Arts de Rennes, Rennes, France

Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans, Andrea Rosen Gallery,
New York
L’Hiver de l’amour, Musée d’art moderne de la ville de Paris (exh. cat.)
Homegrown, Lotus Club, Cologne, Germany
Mechanical Reproduction, AP, Amsterdam (exh. cat.)
Photo ’94, The Photographer’s Gallery on Art 94, London
Rien à signaler, Galerie Analix, Geneva, Switzerland (exh. cat.)
Soggetto Soggetto, Castello di Rivoli—Museo d’Arte Contemporanea, Rivoli, Turin
(exh. cat.)
Sonne München, Galerie Daniel Buchholz, Cologne, Germany
Streetstyle, Victoria & Albert Museum, London (exh. cat.)
The Winter of Love, PS1, New York

1995
ars viva 95/96 Photographie, Anhaltische Gemäldegalerie Dessau, Dessau, Germany;
Frankfurter Kunstverein, Frankfurt am Main, Germany; Kunsthalle Nürnberg,
Nuremberg, Germany (exh. cat.)
Benefit Exhibition for D.E.A.F., Inc., Nicole Klagsbrun Gallery, New York, organized by
Jeff Koons
Bildermonde—Modebilder: Deutche Modephotographien von 1945–1995, Institute fur
Auslandsbeziehungen, Stuttgart, Germany, organized by F. C. Gundlach (exh. cat.)
The Enthusiast, Gavin Brown’s Enterprise, New York
Every Time I See You, Galleri Nicolai Wallner, Malmö, Sweden; galleri index,
Stockholm
Galerie Analix B&L Polla, Geneva, Switzerland
Guaranteed Personalities, Lydmar Hotel, Stockholm, curated by Thomas Nordanstad
Human Nature, New Museum of Contemporary Art, New York
Kunstpreis der Böttcherstraße in Bremen, Kunsthalle Bremen, Bremen, Germany (exh.
cat.)
Mondo Nova, Le Case d’Arte, Milan, Italy (exh. cat.)
Photographies, Galerie Rodolphe Janssen, Brussels
Take Me (I’m Yours), Serpentine Gallery, London;
Kunsthalle Nürnberg, Nuremburg, Germany (exh. cat.)
White Columns, New York, Auction Benefit

1996
a/drift: Scenes from the Penetrable Culture, Bard
College Center for Curatorial Studies, Annandale-on-Hudson, New York
Arken Museum for moderne kunst, Copenhagen (exh. cat.)
Blind Spot: Photography—The First Four Years, Paolo Baldacci Gallery, New York
By Night, La Fondation Cartier pour l’art contemporain, Paris (exh. cat.)
Das deutsche Auge—33 Photographen und ihre Reportagen, Deichtorhallen Hamburg,
Hamburg, Germany
Dites-le avec des fleurs, Galerie Chantal Crousel, Paris
Everything that’s Interesting is New, The Dakis Joannou Collection, Athens; Art
Academy, Athens;

Arken Museum for moderne kunst, Copenhagen
Festival International de la Photo de Mode, Biarritz, France
Glockengeschrei nach Deutz, Galerie Daniel Buchholz, Cologne, Germany (exh. cat.)
I Feel Explosion, flat above Manchester Arndale Centre, Manchester, UK
Intermission, Basilico Fine Arts, New York, curated by Toland Grinnell and Matthew
Ritchie
New Photography #12, The Museum of Modern Art, New York
Nudo y Crudo: Sensitive Body, Visible Body,
Claudia Gian Ferrari Arte Contemporanea, Milan, Italy (exh. cat.)
Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels; École régionale des Beaux-
Arts de Tours, Tours, France
Le Plaisir et les ombres, Fondation pour l’Architecture, Brussels
Prospect ’96—Fotografie in der Gegenwartskunst, Frankfurter Kunstverein und Schirn
Kunsthalle, Frankfurt am Main, Germany (exh. cat.)
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, Sabbathday
Lake, Maine, conceived and organized by France Morin; Institute of Contemporary Art,
Maine College of Art, Portland; Institute of Contemporary Art, Boston
Shift, Haus der Kulturen der Welt, Berlin, organized by Neue Gesellschaft für Bildende
Kunst (exh. cat.)
Traffic, CAPC Musée d’art contemporain, Bordeaux, France
Urgence, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.)
Visitors’ Voices: Recomposing the Collection,
Walker Art Center, Minneapolis
wunderbar, Kunstraum Wein, Vienna; organized by Stephan Schmidt-Wulffen;
Kunstverein, Hamburg, Germany

1997
The 90s: A Family of Man?, Casino Luxembourg—
Forum d’art contemporain, Luxembourg (exh. cat.)
Absolute Landscape: Between Illusion and Reality,
Yokohama Museum of Art, Yokohama, Japan (exh. cat.)
Kunst . . . Arbeit, Forum der Südwest LB, Stuttgart, Germany (exh. cat.)
Die Kunsthalle Bremen zu Gast in Bonn, Kunst- und Ausstellungshalle der
Bundesrepublik Deutschland, Bonn, Germany (exh. cat.)
Positionen künstlerischer Photographie in Deutschland von 1945–1995, Berlinische
Galerie, Martin-Gropius-Bau, Berlin (exh. cat.)
Projects, Irish Museum of Modern Art, Dublin (exh. cat.)
Reality, Yokohama Museum of Art, Yokohama, Japan
Sous le Manteau, Galerie Thaddaeus Ropac, Paris (exh. cat.)
We Gotta Get Out of This Place, Cubitt, London
Zeitgeist Becomes Form: German Fashion Photography 1945–1995, Pat Hearn Gallery,
New York; Morris Healy Gallery, New York

1998
Berlin/Berlin, Berlin Biennale
Collection: Un autre regard, CAPC Musée d’art contemporain, Bordeaux, France

Curatorial Program, New York Curatorial Program, New York
The DG Bank Collection, Hara Museum of Contemporary Art, Tokyo (exh. cat.)
Edifying Sappho and Socrates, Sydney Gay & Lesbian Mardi Gras, Sydney
Fashion at the Beach, Bass Museum of Art, Miami Beach, Fla., curated and organized by
Charles Cowles and Dennis Christie; Contemporary Art Center of Virginia, Virginia
Beach, Va.; Orange County
Museum of Art, Newport Beach, USA (exh. cat.)
Fast Forward Image, Hamburger Kunstverein, Hamburg, Germany (exh. cat.)
From the Corner of the Eye, Stedelijk Museum, Amsterdam (exh. cat.)
Galerie Daniel Buchholz, Cologne, Germany
Galerie Ghislaine Hussenot, Paris
Germania Anno 00 . . ., Newsantandrea, Savona, Italy
Kunstausstellung Holderbank, Holderbank Management und Beratung AG, Holderbank,
Switzerland
Look at Me, Kunsthal Rotterdam; The British Council Touring Exhibition
New York Color School, Valerie’s Gallery, New York
Die Parkett-Künstlereditionen im Museum Ludwig, Cologne, Germany
Photo Op, Geoffrey Young Gallery, Great Barrington, Mass.
Portrait: Human Figure, Galerie Peter Kilchmann, Zurich
The Sound of One Hand: The Collection of Collier Schorr, Apex Art, New York
La Sphère de l’intime, Le Printemps de Cahors Festival, Saint-Cloud, France
Still Life: 1900–1998, Marlborough Graphics, Marlborough Gallery Inc., New York;
Kunsthalle Bremen, Bremen, Germany
Stretch, Tensta Konsthall, Stockholm (exh. cat.)
Sunday by Matthew Higgs, Cabinet Gallery, London
The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers, The Institute
of Contemporary Art, Boston, USA
Veronica’s Revenge, Lambert Collection, Geneva, Switzerland; Centre d’art
contemporain, Paris; Deichtorhallen Hamburg, Hamburg, Germany (exh. cat.)

1999
Can You Hear Me?, 2nd Ars Baltica Triennial of
Photographic Art, Stadtgalerie im Sophienhof, Kiel, Germany; Kunsthalle Rostock,
Rostock, Germany
Flashes: Contemporary Trends, Fondation Cartier pour l’art contemporain, Paris; Centro
Cultural de Belèm, Lisbon; Fondacion Miró, Barcelona, Spain; Centro Arte
Contemporanea Palazzo delle Papesse, Siena, Italy (exh. cat.)
The Garden of Eros, Palau de la Virreina, Barcelona, Spain
How Will We Behave?, Robert Prime, London
Hypertronix, Espai d’Art Contemporani de Castelló, Castelló, Spain (exh. cat.)
The Image of the Other, Fòrum Universal de les Cultures, Barcelona, Spain (exh. cat.)
In Your Face, New Langton Fine Arts, San Francisco, curated by Robert Shimshak
Macht und Fürsorge: Das Bild der Mutter in der
zeitgenössischen Kunst, Siemens Kulturprogramm, Trinitatis Church, Cologne, Germany
(exh. cat.)
. . . om det sublima/ . . . on the sublime, Rooseum, Malmö, Sweden (exh. cat.)

der siebte himmel, Christuskirche Köln, Cologne, Germany
Views from the Edge of the World, Marlborough Chelsea, New York
Vision of the Body: Fashion or Invisible Corset, Kyoto Museum of Modern Art, Kyoto,
Japan; Museum of Contemporary Art, Tokyo (exh. cat.)
Wohin kein Auge reicht—Von der Entdeckung des Unsichtbaren, Deichtorhallen
Hamburg, Hamburg, Germany (exh. cat.)
Word Enough to Save a Life, Word Enough to Take a Life, Clare College Mission
Church, London
Zoom, Württembergischer Kunstverein Stuttgart, Stuttgart, Germany; Museum
Abteiberg, Mönchengladbach, Germany

2000
90 60 90, Museo Jacobo Borges, in cooperation with the Goethe Institut, Caracas,
Venezuela (exh. cat.)
All Dressed Up, Apex Art, New York
Apocalypse: Beauty and Horror in Contemporary Art, Royal Academy of Arts, London
The arsFutura Show, arsFutura, Zurich
Arts & Facts, Galleria Franco Noero, Turin, Italy
AutoWerke—Europäische und amerikanische Fotografie 1998–2000, Deichtorhallen,
Hamburg, Germany (exh. cat.)
The British Art Show 5, organized by the Hayward Gallery, London, for The Arts
Council of England; Scottish National Gallery of Modern Art,
Edinburgh, UK; John Hasard Gallery, University of Southampton, Southampton, UK:
Southampton
City Art Gallery, Southampton, UK; Millais Gallery, Southampton, UK; Fotogallery,
Cardiff, UK; Ikon
Gallery, Birmingham, UK (exh. cat.)
Collection Première Heure, Groupe Premiere Heure, Saint-Cloud, France
Collector’s Choice, Exit Art, New York
Complicity, Australian Centre for Photography, Sydney
Conversione di Saulo, Palazzo Odescalchi, Rome
Deep Distance: Die Entfernung der Fotografie, Kunsthalle Basel, Basel, Switzerland
(exh. cat.)
Dire AIDS: Arte nell’epoca del AIDS/Art in the Age of Aids, Promotrice delle Bella
Arte, Turin, Italy (exh. cat.)
German Photoworks, Wako Works of Art, Tokyo
‘high five’ im warmen Monat Mai, Galerie Schedler, Zurich
Joitakin Osia Maailmasta/Some Parts of this World, Helsinki Photography Festival,
Helsinki (exh. cat.)
Landscape, organized by The British Council, London; Museu de Arte de São Paulo,
Brazil; Museu de Arte Contemporânea de Niterói, Rio de Janeiro, Brazil; Sofia Municipal
Gallery of Art, Sofia, Bulgaria; Centro Cultural del Conde Duque, Madrid; Galleria
Nazionale d’Arte Moderna, Rome; Peter and Paul Fortress, St. Petersburg, Russia;
Central House
of Artists, Moscow; ACC Gallery, Weimar, Germany (exh. cat.)

Look at Me: Fashion and Photography in Britain, 1960 to the present, The British
Council, Madrid; Kunsthal, Rotterdam; Fondazion Nicola Trussardi, Milan, Italy; Marina
Alla Scala Art Centre, Milan, Italy; Centre
for Contemporary Arts, Ujazdowski Castle, Warsaw; Mali Manezh, Moscow; State
Museum of the History of St. Petersburg, St. Petersburg, Russia; Tallinna Kunstihoone
Fond, Tallin, Estonia; Øksnehallen, Copenhagen; Museu de Documantatio I Museu
Textill, Terrasa, Spain; Recinto Ciudadela, Pamplona, Spain; Palacio de abrantes,
Salamanca, Spain; House of Art, Bratislava, Slovakia (exh. cat.)
Lost, Ikon Gallery, Birmingham, UK (exh. cat.)
Eine Munition unter anderen, Frankfurter Kunstverein, Frankfurt am Main, Germany
(exh. cat.)
The Oldest Possible Memory, Collection Hauser and Wirth, Lokremise St. Gallen, St.
Gallen, Switzerland
Platforma, sommercontemporaryart, Tel Aviv
Photography Now, Contemporary Arts Center,
New Orleans, La. (exh. cat.)
Présumés innocents, CAPC Musée d’art contemporain, Bordeaux, France (exh. cat.)
Protest and Survive, Whitechapel Art Gallery, London
Quotidiana: The Continuity of the Everyday in 20th
Century Art, Castello di Rivoli—Museo d’Arte
Contemporanea, Rivoli, Turin (exh. cat.)
The Sea & the Sky, The Royal Hibernian Academy, Dublin; Beaver College Art Gallery,
Glenside, Pa. (exh. cat.)
Les Trahisons du modéle, corps et attitudes II, Stéfane Ackermann agence d’art
contemporain, Luxembourg
Turner Prize 2000, Tate Britain, London

Vanishing Points, Groupe Première Heure, Saint-Cloud, France

2001
Abbild: Recent Portraiture and Depiction, Landesmuseum Joanneum, Graz, Austria
AC: Isa Genzken/Wolfgang Tillmans, Museum Ludwig, Cologne, Germany
The Beauty of Intimacy: Lens and Paper, Kunstraum Innsbruck, Austria
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London (exh.
cat.)
Club Club Club, Le Confort Moderne, Poitiers, France
Contemporary Utopia, Latvian Centre for Contemporary Art, Riga, Latvia (exh. cat.)
Espace d’Art Contemporain, Geneva, Switzerland
Freestyle, Werke Aus Der Sammlung Boros,
Das Museum Morsbroich, Leverkusen, Germany
Un mundo feliz/Brave new world, OMR, Mexico City
Museum unserer Wünsche, Museum Ludwig, Cologne, Germany
La natura della natura morta, Galleria d’Arte Moderna, Bologna, Italy (exh. cat.)
Neue Welt, Frankfurter Kunstverein, Frankfurt am Main, Germany (exh. cat.)
Open City: Street Photographs, 1950–2000,
Museum of Modern Art, Oxford, UK; The Lowry, Manchester, UK; Museo de Belles
Artes de Bilbao, Spain; Hirshhorn Museum and Sculpture Garden, Washington, DC

Places in the Mind: Modern Photographs from the
Collection, The Metropolitan Museum of Art, New York
Portrait, Lindig in Paludetto, Turin, Italy; Zeitgenossische Kunst Milchof, Nuremberg,
Germany
Record Collection, VTO gallery, London; International 3, Manchester Gallery,
Manchester, UK; Forde Gallery, Geneva, Switzerland
Some German Photography, Mark Moore Gallery, Santa Monica, Calif.
Some Options in Abstraction, Harvard University
Carpenter Center, Cambridge, Mass.
Sex—Vom Wissen und Wünschen, Hygienemuseum, Dresden, Germany (exh. cat.)
Shopping, Schirn Kunsthalle, Frankfurt am Main,
Germany; Tate Liverpool, Liverpool, UK
Tattoo Show, Modern Art Inc., London
Uniforms, Order and Disorder, Stazione Leopolda, Florence, Italy; P.S.1 Contemporary
Art Center, New York, USA (exh. cat.)
“Why bother?” The Burger King Exhibition, Whitechapel Art Gallery, London
Zero Gravity, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf,
Düsseldorf, Germany (exh. cat.)

2002
Beyond Barbizon, Elias Fine Art, Allston, Mass.
From the Observatory, Paula Cooper Gallery, New York
HOSSA—Arte Alemàn del 2000, Centro Cultural Andratx, Mallorca, Spain
International Contemporary Art, Museo de Arte Moderno, Mexico City
In the Making, CCAC Wattis Institute, San Francisco, Calif.
Jochen Klein (1967–1997) und Wolfgang Tillmans,
Neue Gesellschaft fur Bildende Kunst, Berlin
Moving Pictures, Solomon R. Guggenheim Museum, New York; Guggenheim, Bilbao,
Spain (2003)
Museum unserer wünsche, The museum of our wishes, Museum Ludwig, Köln, Germany
Painted, Printed and Produced in Great Britain,
Grant Selwyn Fine Art, New York
Remix: Contemporary Art & Pop, Tate Liverpool, Liverpool, UK (exh. cat.)
Sensationen des Alltags, Kunstmuseum, Wolfsburg, Germany (exh. cat.)
Transform the World 2002, Wako Works of Art, Tokyo

2003
20th Anniversary Show, Galerie Monika Sprüth, Cologne, Germany
Abstraction in Photography, Von Lintel Gallery, New York
actionbutton, Nationalgalerie Hamburger Bahnhof, Berlin
After the Observatory, Paula Cooper Gallery, New York
Anniversary Exhibition, Gavin Brown’s Enterprise, New York
Architektur der Obdachlosigkeit, Neue Pinakothek, Munich, Germany (exh. cat.)
Attack—Kunst und Krieg im Zeitalter der Medien,
Kunsthalle Wien, Vienna (exh. cat.)
Auto-nom, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany

Berlin/Moskau, Martin-Gropius-Bau, Berlin (exh. cat.)
Dubrow International, Roger Smith Gallery, New York
Fast Forward, Sammlung Goetz, ZKM, Karlsruhe, Germany (exh. cat.)
Here and There, The Morris and Helen Belkin Art Gallery at the University of British
Columbia
Looking In—Looking Out, Kunstmuseum Basel, Basel, Switzerland
M_ARS—Kunst und Krieg, Neue Galerie, Graz, Austria (exh. cat.)
Montagna: Arte, acienza, mito, Museo d’Arte Moderna e contemporanea di Trento e
Rovereto, Rovereto, Italy
Mixtapes, California College of Arts and Crafts, San Francisco, Calif.
My People Were Fair and Had Cum in their Hair (But Now They’re Content to Spray
Stars from your Boughs), Team Gallery, New York, USA
outlook, cultural olympiade, Athens (exh. cat.)
öffentlich/privat, Gesellschaft für zeitgenössische Kunst, Leipzig, Germany
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg,
Wolfsburg, Germany (exh. cat.)
Saint Sebastian, Kunsthalle Wien, Vienna (exh. cat.)
Sex, Karyn Lovegrove Gallery, Los Angeles
Society for Contemporary Art Selection, The Art Institute of Chicago
Somewhere Better Than This Place: Alternative Social Experience in the Spaces of
Contemporary Art, Contemporary Arts Center, Cincinnati, Ohio
Von Korpern und anderen Dingen: Deutsche Fotografie im 20 Jahrhundert, Deutsches
Historisches Museum, Berlin
Warum!, Martin-Gropius-Bau, Berlin

2004
Atmosphere, Museum of Contemporary Art, Chicago
BISS—Architektur der Obdachlosigkeit, Museum
der Arbeit, Hamburg, Hamburg, Germany (exh. cat.)
Colección Taschen, Museo Reina Sofia, Madrid
Encounters in the 21st Century, 21st Century Museum
of Contemporary Art, Kanazawa, Japan
Enthüllt, Städtische Museen, Heilbronn, Germany (exh. cat.)
The Flower as Image, Louisiana Museum for moderne kunst, Humlebœk, Denmark;
Fondation Beyeler, Riehen, Switzerland (exh. cat.)
Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin (exh. cat.)
Im Rausch der Dinge, Fotomuseum Schweiz, Winterthur, Germany
Inventory, Scott King, Donald Urquhart, Portikus, Frankfurt am Main, Germany, curated
by Wolfgang Tillmans
Jetzt und zehn Jahre davor, Kunstwerke, Berlin (exh. cat.)
Landscape 2, Tower Art Gallery, Eastbourne, UK
Likeness: Portraits of Artists by Other Artists, California College of Arts, CCA Wattis
Institute for Contemporary Arts, San Francisco, Calif.; McColl Center for
Visual Art, Charlotte, N.C.; Institute for Contemporary Art, Boston, Mass.; Dalhousie
University Art Gallery, Halifax, Canada; University Art Museum, California State
University, Long Beach, Calif.; Illingworth Kerr Gallery, Alberta College of Art and

Design, Calgary, Canada; Contemporary Art Center of Virginia, Virginia Beach, Va.
(exh. cat.)
Monument to Now, The Dakis Joannou Collection, Athens (exh. cat.)
Il Nudo, Galleria d’Arte Moderna, Bologna, Italy
Rose C’est la Vie, Tel Aviv Museum of Art, Tel Aviv
Werke aus der Sammlung Boros, Museum für Neue Kunst ZKM, Karlsruhe, Germany
(exh. cat.)

2005
Always a Little Further, 51st International Art Exhibition, Venice Biennale, Venice, Italy
Arbeit an der Wirklichkeit—German Contemporary Photography, The National Museum
of Modern Art, Tokyo (exh. cat.)
Coolhunters, ZKM, Karlsruhe, Germany (exh. cat.)
Covering the Real, Kunstmuseum Basel, Basel, Switzerland (exh. cat.)
Extreme Abstraction, Albright Knox Gallery, Buffalo, Ny.
Growing Up Absurd, Herbert Read Gallery, Canterbury, UK
Helga de Alvear Collection, MEIAC Museum, Badajoz, Spain
Migration, Kölnischer Kunstverein, Cologne, Germany (exh. cat.)
Oktobarski Salon, Belgrade
Shadowplay—An Homage to H. C. Andersen,
Kunsthallen Brandts Klaedefabrik, Odense, Denmark; Kunsthalle zu Kiel, Kiel,
Germany; Landesgalerie Linz, Linz, Austria (exh. cat.)
Superstar, Das Prinzip Prominenz in der Kunst, Kunsthalle und Kunstforum, Vienna
(exh. cat.)
Il Teatro dell’Arte, Villa Manin, Passariano, Italy
Thank you for the Music, Galerie Sprüth Magers, Munich, Germany
Weltbilder, Helmhaus, Zurich (exh. cat.)

2006
Abstract art now – floating forms, Wilhelm-Hack-Museum, Ludwigshafen, Germany
An Ongoing Low-Grade Mystery, Paula Cooper, New York, USA
As if by Magic, The Bethlehem Peace Centre, Palestine
Click Double Click, Haus Der Kunst, Munich, Germany; Bozar Expo, Brussels, Belgium
Das Achte Feld—Geschlecter, Leben und Begehren in der bildenden Kunst seit 1960,
Museum Ludwig, Cologne, Germany (exh. cat.)
Deckchair dreams, London’s Royal Parks, London, UK
Faster! Bigger! Better!, ZKM / Museum für Neue Kunst, Germany
Frankfurter Positionen: Klasse Wolfgang Tillmans, Museum für Moderne Kunst,
Frankfurt am Main, Germany
Galerie Daniel Buchholz at Metro Pictures, New York, USA
Good Vibrations – Visual arts and Rock music, Palazzo delle Papesse, Siena, Italy (exh.
cat.)
How Queer Everything is Today, Queer Festival, Råhuset, Halmtorvet, Copenhagen,
Denmark
In the Face of History: European Photographers in the 20

th Century, Barbican Art

Gallery, London, UK

It’s not a photo, Chelsea Art Museum, New York, USA
Landscapes, Wako Works of Art, Tokyo, Japan
Peace Camp, The Brick Lane Gallery, London, UK
Surprise Surprise, Institue of Contemporary Arts, London, UK
Thank you for the music (London Beat), Sprüth Magers Lee, London, UK
The Gold Standard, P.S.1, New York, USA
The Secret Public: The last days of the British underground 1978 – 1988, Kunstverein
München, Germany; Institute of Contemporary Arts, London, UK (2007)
The Starry Messenger: Visions of the Universe, Compton Verney, Warwickshire, UK
The Studio, Dublin City Gallery The Hugh Lane, Dublin, Ireland
The Sublime is Now!, Museum Franz Gertsch, Burgdorf, Switzerland
Toutes Compositions Florales, Counter Gallery, London, UK
Y Ahora Sin Ti…, Galería Juana De Aizpuru, Madrid, Spain

2007
At Home, Yvon Lambert, New York.
Dateline Israel: New Photography and Video Art, The Jewish Museum, New York, USA
Depth of Field: Modern Photography at the Metropolitan, Metropolitan Museum of Art,
New York, USA
Edit! Photography and Film in the Ellipse Collection, Centro de Artes Visuais, Coimbra,
Portugal
Hava Boslugu – Air Pocket, galerist, Istanbul, Turkey
Into Me / Out of Me, MACRO Museo d’Arte Contemporanea, Rome, Italy
No Such Thing as Society, Hayward Touring Exhibitions, UK
Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, Siena, Italy, (exh. cat.)
Reality Bites: Making Avant-Garde Art in Post-Wall Germany, Mildred Lane Kemper
Art Museum, St. Louis, USA
Seeing Things, Dorsky gallery, Long Island City, USA
The Droste Effect, Esther Schipper, Berlin, Germany
The Turner Prize: A Retrospective, Tate Britain, London, UK
The Naked Portrait, Compton Verney, Warwickshire, UK
What Does the Jellyfish Want, Museum Ludwig, Cologne, Germany

Bibliography

Monographs, catalogues for solo exhibitions, and artist’s books

1995
Wolfgang Tillmans. Cologne: Taschen, reissued 2002
Wolfgang Tillmans. Frankfurt am Main, Germany: Portikus Frankfurt am Main
Wolfgang Tillmans. Zurich: Kunsthalle Zürich

1996
For When I’m Weak I’m Strong/Wer Liebe wagt lebt
morgen, exh. cat., Ostfildern-Ruit, Germany:

Kunstmuseum Wolfsburg and Hatje Cantz Verlag

1997
Concorde. Cologne, Germany: Verlag der Buchhandlung Walther König

1998
Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia
Wolfgang Tillmans: Burg. Cologne, Germany: Taschen, reissued as Wolfgang Tillmans,
2002

1999
Soldiers: The Nineties. Cologne, Germany: Verlag der Buchhandlung Walther König
Total Solar Eclipse/Totale Sonnenfinsternis. Cologne, Germany: Galerie Daniel
Buchholz
Wako Book 1999, exh. cat., Tokyo: Wako Works of Art

2001
AC: Isa Genzken/Wolfgang Tillmans. edited by Museum Ludwig, Cologne, Germany:
Verlag der Buchhandlung Walther König
Partnerschaften II, exh. cat., Berlin: Neue Gesellschaft für Bildende Kunst
Portraits. Cologne, Germany: Verlag der Buchhandlung Walther König
View from Above/Aufsicht, Ostfildern-Ruit, Germany: Hatje Cantz Verlag
Wako Book 2, exh. cat., Tokyo: Wako Works of Art

2002
Wolfgang Tillmans. London and New York: Phaidon Press
Wolfgang Tillmans: Still Life. Cambridge, Mass: Harvard University Art Museum

2003
if one thing matters, everything matters. London: Tate Publishing

2004
Wolfgang Tillmans: Freischwimmer. Tokyo: Tokyo Opera City Gallery
Wako Book 3, exh. cat., Tokyo: Wako Works of Art

2005
truth study center. Cologne, Germany: Taschen

2006
Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
Wolfgang Tillmans. exh. cat., Museum of Contemporary Art Chicago; Hammer Museum,
LA, Chicago and Los Angeles, Yale University Press, New Haven and London
Why we must provide HIV treatment information. (photography) HIV i-base, London,
UK
Wolfgang Tillmans: Manual. Verlag der Buchandlung Walther König, Köln, Germany

Selected articles on the artist

This chronological list is alphabetical by author.
If no author is cited, alphabetical lists by article title
and publication title then follow.

1989
Brudna, Denis. “Wolfgang Tillmans.” Photonews, (December)
Gessulat, Stefan. “:Ikonen.” Prinz (Hamburg, Germany) (August)
“i-D Newsflash.” i-D, no. 66, p. 7

1992
Brudna, Denis. “I-deas für heute und übermorgen.” Photonews (June), pp. 8–9
“Parallels.” Creative Camera (February–March), pp. 24–27

1993
Poschardt, Ulf. “Ein Fleck Freiheit.” Vogue, no. 8 (August), pp. 110–12
Reich, Elli. “Private Eye.” Prinz (Frankfurt am Main, Germany) (July), p. 92
Zahm, Olivier. “Tendances.” Purple Prose, no. 3 (June), pp. 14–15

1994
Adams, Brooks. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art in America
(December), pp. 101–2
Aletti, Vincent. “Voice Choices.” The Village Voice, September 20, p. 72
———. “Season’s Greetings.” The Village Voice, October 24, p. 73
Als, Hilton. “As Is, Wolfgang Tillmans’ Lifestyle.” Artforum (May), pp. 68–73
Hainley, Bruce. “Wolfgang Tillmans at Andrea Rosen Gallery.” Artforum (December),
p. 82
Königer, Maribel. “L’Hiver de l’amour.” Kunstforum, no. 126 (March–June),
pp. 344–346
Mosselmann, Arnold, and Corinne Groot. “Wolfgang Tillmans at Thaddaeus Ropac,
Paris.” Metropolis M., no. 3 (June), p. 52
Muir, Gregor. “Wolfgang Tillmans at Interim Art, London.” frieze, no. 14 (January),
p. 56
Swingewood, Sally. “The Camera Never Lies Down.” Time Out Amsterdam, no. 1
(June), p. 4
Tillmans, Wolfgang. “Techno Soul,” in L’Hiver de l’amour, exh. cat., Musée d’art
moderne de la Ville de Paris, 1994, pp. 8–9
Verzotti, Giorgio. “L’Hiver de l’amour at Musée d’art moderne de la Ville de Paris.”
Artforum (October), p. 112

1995
Althoff, Kai. “Diskussion am Grat.” Texte zur Kunst (November), p. 172
Appel, Stefanie. “Wahre Coolness.” Prinz (Frankfurt am Main, Germany) (September), p.
88

Bartas, Magnus. “Wolfgang Tillmans.” Index (January), pp. 41–43, 61
Bonami, Francesco. “Wolfgang Tillmans.” Flash Art (March–April), p. 95
Boyer, Charles. “Lifestyle.” Tribus (March), p. 44
Enslein, Thomas. “Wolfgang Tillmans.” Siegessäule (February)
Eshun, Kodwo. “Wolfgang Tillmans.” i-D (March), p. 8
Fricke, Harald. “Die Noblesse des Lustprinzips.” die tageszeitung, January 18, p. 13
Hierholzer, Michael. “Von Menschen und Bäumen.” Frankfurter Allgemeine
Sonntagszeitung, September 3
Huebel, Birger. “Dabeisein, Machen, Bewegung . . .” Spex (February), pp. 44–45
Kratzert, Armin. “Er trinkt Pepsi und glaubt an Gott.” Wochenpost, April 1
Kuni, Verena. “Wolfgang Tillmans: Portikus Frankfurt.” Springer, vol. 1, no. 5/6
(November), p. 101
Massery, Michel. “Nouvelles tribus culturelles en photo.” Le Nouveau Quotidien,
September 19
Molesworth, Helen. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art & Text, no. 50
(January)
Montgomery, Robert. “Street wise.” The List (August), p. 75
Niemczyk, Ralf. “Joey Beltram.” Spex (October), pp. 18–19
Pesch, Martin. “Wolfgang Tillmans.” Die Woche, September 1
Sasaki, Naoya. “Wolfgang Tillmans: Because Quality Counts.” Switch (September),
pp. 131–39
Schmitz, Rudolf. “Rauskriegen was in der Luft liegt.” Frankfurter Allgemeine Zeitung,
September 19
Schönherr, Florian, and Urs Hattung. “Der Grenzgänger.” Journal Frankfurt (August 25)
Ximenes, João. “Moda Verdade.” O Globo, June 24
“Achtung, Achtung.” Spex (September), pp. 42–43
“Ein ehrlicher Voyeur.” Kieler Nachrichten, February 23
“Fotografien von Wolfgang Tillmans.” aktuell: Das Magazin der deutschen Aids-Hilfe,
no. 13, pp. 10–34, 52
“Im Zeichen des Pulp.” Neue Zürcher Zeitung, April 8/9
“Installation und Gesellschaft.” Süddeutsche Zeitung, January
“Die intimen Fotografien von Wolfgang Tillmans.” Frankfurter Rundschau, September 2
“Kunstpreis für Wolfgang Tillmans.” Bremer Anzeiger, November 11
“Pur und unverschämt.” Der Spiegel, January 30, pp. 106–7
“Die Sehnsucht nach dem Paradies.” Allgemeine Zeitung Mainz, December 8
“Am Selbstverständnis einer Generation mitarbeiten: Interview mit Wolfgang Tillmans.”
Pakt (May–June), pp. 20–21, 40

1996
Aletti, Vince. “Wolfgang Tillmans.” The Village Voice, September 24, p. 10
Beard, Steve. “No Voyeurs Allowed—Candid Camera: The Roving Eye of Wolfgang
Tillmans.” i–D, no. 159 (December), pp. 68–71
Beil, Ralf. “Deutschland, deine Photographen.” Neue Zürcher Zeitung, July 31, p. 46
Bianchi, Paolo. “Subversion der Selbstbestimmung.” Kunstforum (May–September), pp.
56–64
Collin, Matthew. “A Weakness for Photography.” Wired, UK (November), p. 89

Föll, Heike. “Wolfgang Tillmans.” neue bildende kunst, no. 2 (April–May), pp. 39–46
Göttner, Christian, and Alexander Haase. “Wolfgang
Tillmans: Frankfurt am Maingrafie als Selbsterfahrung.” Subway (November), pp. 8–11
Karroum, Abdellah, and Hilton Als (eds.). Urgence, exh. cat., Bordeaux, France: CAPC
Musée d’art contemporain
Lütgens, Annelie. “Not for Voyeurs.” In For When I’m Weak I’m Strong, exh. cat.,
Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg, pp. 6–8
Maurer, Simon. “Fragile Schönheit.” Der Tagesanzieger Züritip, June 6, p. 60
Molesworth, Helen. “Picture Books.” In For When I’m Weak I’m Strong, exh. cat.,
Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg, pp. 11–12
Pesch, Martin. “Wolfgang Tillmans: Authentisch ist immer eine Frage des Standpunkts.”
Kunstforum, no. 133 (February–April), pp. 256–269
———. “Obst und Gemüse.” Wochenpost, September 19, p. 36
Sasaki, Naoya. “From Editors.” Switch (April), pp. 13, 25
Schorr, Collier. “Things Gone and Things Still Here.” In For When I’m Weak I’m
Strong, exh. cat.,
Kunstmuseum Wolfsburg, Ostfildern-Ruit, Germany, pp. 13–14
Schwendener, Martha. “Wolfgang Tillmans.” Time Out New York (October 17–24),
p. 28
Wagner, Frank. Family, nation, tribe, community SHIFT: Zeitgenössische künstlerische
Konzepte im Haus der Kulturen der Welt, exh. cat., Berlin: Haus der Kulturen der
Welt/Neue Gesellschaft für Bildende Kunst, pp. 11, 14
Wamberg, Jacob. “Øjebliksbilleder fra 90erne.” Politiken, June 16, p. 12
Ziegler, Ulf Erdmann. “Wünschelrute im Themenpark.” Die Zeit, September 27, p. 62
“Sozio- und Popkultur: Die Fotografien von Wolfgang Tillmans.” Pur (February),
pp. 6–9

1997
Allen, Vicky. “Cry Wolfgang.” Arena (July–August)
Aronowitz, Richard. “Invasion of the sewer rats.” The Highbury and Islington Express,
June 20, p. 6
Bach, Caroline. “Photographie et mode.” Art Press
(October), pp. 153–56
Beem, Edgar Allen. “The artist as spiritual tourist.” MAINE Times, September 4, p. 20
Bernard, Kate. “Wolfgang Tillmans.” Hot Tickets, June 5, p. 45
Boodro, Michael. “fashion for art’s sake.” Vogue (USA) (February), pp. 118, 122
Boogard, Oscar van den. “Ik leef nu.” Metropolis M. (August–September), cover and pp.
34–37
Bonami, Franscesco, ed. Echoes: Contemporary Art
at the Age of Endless Conclusions, The Monacelli Press, Inc., New York
Brittan, David. “The Crowd.” Creative Camera, p. 35
Brubach, Holly. “Beyond Shocking.” New York Times Magazine (May)
Bryant, Eric. “The 10 Best Magazines of 1996.” Library Journal (May 1), pp. 42–43
Campany, David. “Little Boxes.” Creative Camera, no. 349 (December 1997–January
1998), p. 42

Cirant, Catherine. “Absolute Landscape.” In Absolute Landscape, exh. cat., Yokohama,
Japan: Yokohama Museum of Art, 1997, p. 143
Clancy, Luke. “Art with a sense of humour.” The Irish Times, August 18
Coomer, Martin. “We Gotta Get Out of This Place.” Time Out London, no. 1426/7
(December), p. 69
———. “Wolfgang Tillmans.” Time Out London, no. 1405 (July 23–30), p. 51
Demir, Anaïd. “L’art fait le let de la mode.” Technikart (March)
Dominicis de, Daniela. “Wolfgang Tillmans, S.A.L.E.S.” Flash Art
Domröse, Ulrich and Inga Knölke. Positionen
künstlerischer Photographie in Deutschland seit 1945, exh. cat., Cologne, Germany:
DuMont
Buchverlag (September), pp. 38–39, 138–39
Draxler, Helmut. “Requiem für einen: Jochen Klein.”
Texte zur Kunst, no. 28 (November), pp. 179–80
Dziewor, Yilmaz. “Tobias Rehberger.” Artforum (January), pp. 74–75
Faller, Heike. “Aus dem Keller zu den Sternen.” Stern (January), p. 82
Gächter, Sven. “Fotopoet der Strasse.” profil, no. 50 (December 6), pp. 26–27
Gaskin, Vivienne. “Wolfgang Tillmans.” everything magazine (July), pp. 5–7
Germer, Stefan. “Fluch des Modischen: Versprechungen der Kunst.” Texte zur Kunst,
no. 25 (March), pp. 52–60
Giampa, Pino. “Wolfgang Tillmans—Sociale, Sessuale e Spirituale,” Romarte (March–
April)
Gleadell, Colin. “Is This Tomorrow.” Art Monthly (October), pp. 52–53
Goto, Shigeo. “Paradise #2: Virtual Insanity.” Dune, no. 12 (spring), pp. 56–57
Greene, David. “Group Exhibition: New Photography #12.” Creative Camera (February–
March), p. 45
Halley, Peter, and Bob Nickas. “Wolfgang Tillmans.” index (March), pp. 39–45
Halpert, Peter Hay. “Buy, Hold, Sell.” American Art (March–April), p. 49
Heiferman, Marvin. “New Photography #12.” Artforum (January), p. 79
Heiser, Jorg. “Heroin Chic.” Die Beute, no. 15/16 (winter), pp. 127–36
Hermes, Manfred. “Kunst.” Spex (January), pp. 32–33
Hüllenkremer, Marie. “Art Cologne 1997.” Kölner Stadt-Anzeiger, no. 261 (November
10), p. 6
Kaufhold, Enno. “Positionen künstlerischer Photographie in Deutschland seit 1945.”
Photonews (November)
Koether, Jutta. “Kunst.” Spex (January), p. 49
Kurtz, Thomas. “Kunst zeigt bedrohte menschenwürde.” Pforzheimer Zeitung,
February 3
Larson, Kay. “A Month in Shaker Country.” The New York Times, August 10, p. 33H
Martin, Richard. “Zeitgeist Becomes Form.” Artforum (March), p. 87
Marcoci, Roxana, Diana Murphy, and Eve Sinaiko (eds.). New Art, Harry N. Abrams,
Inc., 1997, pp. 141–42
McQuaid, Kate. “Maine’s ‘Quiet in the Land’ Plumbs Art of Shaker Life.” The Boston
Globe, August 15
Meyer, Claus Heinrich. “Schweres blut.” Süddeutsche Zeitung, December 5
Millard, Rose. “The art gang.” The Independent Magazine, (August 30), pp. 8–12

Moro, Silvia Gaspardo. “How to Marry a Million Tree.” L’uomo Vogue, no. 283
(November), pp. 60–77
Morrissey, Simon. “Interrogating Beauty.” Contemporary Visual Art (October), pp. 26–
33
Murphy, Fiona. “A Shopping Sensation.” Guardian (weekend), September 27, pp. 56–59
O’Flahert, Mark C. “Crazy, Sexy, Cool.” boyz (June 14)
Parkes, James Cary. “The Cult of Wolfgang Tillmans.” Gay Times (July), pp. 15–16
Ragozzina, Marta. “Wolfgang Tillmans.” Artel
Remy, Patrick. “Esthétique du sursis.” Art Press (October), pp. 157–59
Rian, Jeffrey. “The Generation Game.” Echoes: Contemporary Art at the Age of Endless
Conclusions, p. 68
Saltz, Jerry. “Camera Lucida: MoMA Takes a Clear-eyed Look at Some New
Photography.” Time Out New York (January 16–23), p. 35
Schmitz, Rudolf. “Die Raumfusion der gegenwärtigen Fotografie.” In Brigitte Kölle, ed.
Portikus 1987–1997, Frankfurt am Main, Germany, pp. 70–73, 252–253
Tiedemann, Holger. “Adam am Zermatt.” Deutsches Sonntagsblatt, p. 29
“Interview: Wolfgang Tillmans/Photographer.” Hanatsubaki (August), pp. 27–28
“Tailpiece.” Creative Camera (February–March), p. 50

1998
Arning, Bill. “Wolfgang Tillmans.” Time Out New York, no. 166 (November 26), p. 63
Blasé, Christoph. “Vorwarts—und nicht vergessen.” Frankfurter Allegmeine Zeitung,
April 7
Budney, Jen. “Come On Baby.” Parkett, no. 53 (September), pp. 110–25
Casadio, Mario. “D—dedicate.” Vogue Italia, no. 570 (February), pp. 324–331
Celis, Bárbara. “Emergentes en Arco 68.” El Pais de las Tentaciones (February 6), p. 16f
Cotter, Holland. “Wolfgang Tillmans.” The New York Times, November 6, p. E38
Deitcher, David. “Lost and found.” In Wolfgang Tillmans: Burg, edited by Burkhard
Riemschneider, Cologne, Germany: Taschen
Doctor Roncero, Rafael. “Fruiciones.” In Fruiciones, exh. cat., Madrid: Museo Nacional
Reina Sofia, pp. 144–77, 189
Duursma, Mark. “Mijn versie van normal en mooi.” NRC Handelsblad, June 26
Eshun, Kodwo. “Leader of the pack.” i-D (November)
Knopke, Burkhard. “Identität und Sinnlichkeit.” hinnerk (February), pp. 6–9
Matsui, Midori. “Memory Machine.” Parkett (September), pp. 94–103
McCormick, Carlo. “Talking Pictures.” (interview)
Camera Austria International, no. 64, pp. 48–62
Nesbitt, Judith. “Only Connect.” Parkett, no. 53 (September), pp. 126–32
Nieuwenhuyzen, Martijn van. “Wolfgang Tillmans.” In From The Corner Of The Eye,
exh. cat., Amsterdam: Stedelijk Museum Amsterdam, pp. 13, 90–97
Piccoli, Cloe. “Le ultime donne.” i-D, no. 94 (March–April), p. 63–72
Price, Dick. “We gotta get out of this place.” i-D, no. 172 (January–February), p. 39
Sager, Peter. “Sammeln ist ein Trip.” Zeit Magazin, no. 22, pp. 12–18
Saltz, Jerry. “Heaven Knows.” The Village Voice, December 1, p. 135
Schiff, Hajo. “Wenn Van Gogh gezappt hätte.” die tageszeitung, February 28
Seyfarth, Ludwig. “Sensationell oder banal.” Hamburger Rundschau, no. 11 (March 12)

———. “Zurück in die Zukunft.” Szene Hamburg (March)
Stange, Raimar. “Das Comeback der 80er Jahre.” neue bildene kunst (February), p. 81f
Sutton, Tara. “Think Before You Shoot . . . Talking to Wolfgang Tillmans.” Big, no. 19
(May)
Sweet, Matthew. “Porn again.” Frank (April), pp. 152–55
Thompson, Charles. “Reaction.” Citizen K International, no. 7 (summer), pp. 17, 19
Tiedemann, Holger. “Burg.” Photonews, no. 12/1, p. 21
Wakefield, Neville. “Concorde.” Parkett (September), pp. 104–109
Weber, Martin. “Gut geguckt, Hirsch.” Kölner Stadt-Anzeiger, November 21–22, p. 7
Wellershoff, Marianne. “Stilleben mit Hinterhalt.” Spiegel Kultur Extra (September), pp.
3, 6–11
Ziegler, Ulf Erdmann. Parkett, no. 53 (autumn)
“Nice Burg.” Gay Times (December), p. 80
“Veronica’s Schweißtuch und andere Abbilder,” Hamburger Abendblatt (February 17)
“Wolfgang Tillmans.” Photonews, no. 4 (April)
Entwurf—Religionspädagogische Mitteilunger (March), back coverform, no. 161
(January)
Hanatsubaki, no. 571 (January), p. 5
Hanatsubaki, no. 572 (February), pp. 13, 15
Hanatsubaki, no. 574 (April), p. 35
The Male Nude, edited by Burkhard Riemschneider, Cologne, Germany: Taschen
Segno, no. 160 (January–February), p. 6

1999
Aletti, Vince. “Photo.” The Village Voice, September 28, p. 75
Casati, Rebecca. “Erhabener geht’s ja wohl nicht!” (interview) Süddeutsche Zeitung
Magazin, no. 29 (July), p. 32
Hainley, Bruce. “Culture and Kleenex.” frieze, no. 44 (January–February), pp. 44–45
Matsui, Midori. “Composite.” Hogado, no. 11 (August), p. 133
McFarland, Dale. “Beautiful Things.” frieze, no. 48
(September–October), cover and pp. 78–83
Miles, Christopher. “Wolfgang Tillmans.” Flaunt (November), pp. 46–48
Nilsson, Bo. “ . . . on the sublime/om det sublime . . .” Rooseum (January 23), pp. 7–20,
106–109, 147–56
Sergl, Anton. “Zuendgenarrt: Auf Tillmans Burg.” Our Munich (January), p. 14
Slocombe, Steve. “Wolfgang Tillmans—The All-Seeing Eye.” (interview) Flash Art, vol.
32, no. 209 (November–December), pp. 92–95
Tillmans, Wolfgang. “Tom Ford and Ann Hamilton with Wolfgang Tillmans.” Index
(September–October), pp. 67–78
Werneburg, Brigitte. “Zeitschriften sind Originale.” die tageszeitung, January 16–17, pp.
13–14
“Wolfgang Tillmans.” Bijutsu Gaho, no. 22 (August), p. 281

2000
Buck, Louisa. “Wolfgang Tillmans.” The Art Newspaper, no. 106 (September), p. 73

Cork, Richard. “Farewell Then, Britart. Say Hello to the World.” The New York Times,
October 25
Cypriano, Fabio. “Mostra em Berlin destaca Wolfgang Tillmans.” O Estado de São
Paulo, February 11, p. 10
Dusini, Matthias. “Moss muss nicht aufs Klo.” Falter, no. 14, p. 65
Eshun, Kodwo. “Under the Flightpath.” i-D, no. 203 (November), pp. 104–16
Graham-Dixon, Andrew. The Sunday Telegraph Magazine (October 8), pp. 34–37
Grammel, Søren. “Wolfgang Tillmans: Soldiers.” Frankfurter Kunstverein Hefte, no. 1,
pp. 40–44
Harlock, Mary. “Turner Prize 2000.” Tate Britain (October 25, 2000–January 14, 2001)
Irving, Mark. “Hot Shot on His Way to the Top.” The Independent on Sunday (October
22)
Kernan, Nathan. “Moments of Being.” In Apocalypse. Beauty and Horror in
Contemporary Art, exh. cat., London: Royal Academy of Art, pp. 132–35
———. “What They Are: A Conversation with Wolfgang Tillmans.” In View From
Above: Wolfgang Tillmans. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, pp. 7–11
Kimura, Midori. “Wolfgang Tillmans.” Bijutsu Techo, no. 782 (January), p. 46
Knofel, Ulrike. “Stilleben mit Glatzkopf.” Der Spiegel, no. 33 (August)
Maurer, Simon. “Man sollte die Kamera ganz vergessen.” Tagesanzeiger, November 27
McAuliffe, Michael James. “Collector’s Choice: Exit Art / The First World through
December 30.” ReviewNY.com, December 15
Müller, Silke. “Geliebter Feind.” Art, no. 11 (November), pp. 86–95
Ratnam, Niru S. “Bodies at Rest and in Motion.” The Independent, September 19, p. 12
Rauterberg, Hanno. “Perfektionist des Hingeschleuderten.” Die Zeit, no. 44, October 20,
p. 47
Searle, Adrian. “Beauty to Make the Spirit Soar, Rubbish to Make the Heart Sink.”
Guardian, October 24, pp. 12–13
———. “Foreign Creativity Pierces Britart Bubble.” Guardian, June 15, p. 9
———. “The End of the World as We Know It.” Guardian, September 21, p. 13
Slocombe, Steve. “Lieber Turner.” Sleazenation, pp. 40–41, 132–41
———. “Some Parts of This World.” In Helsinki Photography Festival, exh. cat., pp. 5,
26–27
Sonna, Birgit. “Die Faszination der Fensterbank.” Süddeutsche Zeitung, February 17, p.
22
Verzotti, Giorgio. “Art in the Age of AIDS.” In Dire AIDS: Arte nell’epoca del AIDS,
edited by Gail Cochrane et. al. Milan and Turin: Promotrice delle belle arti, pp. 37–38,
94–97
Ziegler, Ulf Erdmann. “Kunst mit doppeltem Gesicht.” die tageszeitung, December 15
“Very New Art 2000.” BT magazine, vol. 52, no. 782 (January), pp. 44–49
“The View from Here.” The Big Issue (August 28–September 3), p. 1

2001
Aletti, Vince. “Wolfgang Tillmans: A Project for Artforum.” Artforum, no. 6 (February),
p. 129
Brudna, Denis. “Wolfgang Tillmans.” Photonews (December–January), pp. 20–21

Craddock, Sacha. “Apocalypse: Beauty and Horror in Contemporary Art.” Tema Celeste,
no. 83 (January–February), pp. 114
De Potter, Pete. “Fan.” i-D, no. 206 (February), p. 174
Egan, Maura. “Prize Matters.” Details (January–February), pp. 124–31
Finsterwalder, Frauke. “The rise of photography and the dominance of the German
school.” Tema Celeste, no. 86 (summer), pp. 22–23
Gardner, Belinda Grace. “Die Hand umklammert den Haltegriff.” Frankfurter Allgemeine
Zeitung, October 19, p. 54
Gioni, Massimiliano. “New York Cut Up.” Flash Art, vol. XXXIV, no. 217 (March–
April), p. 73
Herstatt, Claudia. “Elizabeth Peyton, Wolfgang Tillmans, The Contemporary Face.”
Kunstforum International Bd. 157 (November–December), pp. 292–294
Jantschek, Thorsten. “Linienmuster des Alltags.” Die Welt, October 24
Jocks, Heinz-Norbert. “Von der Zerbrechlichkeit der Nacktheit und der unerschrockenen
Suche nach Glück.” (interview) Kunstforum International (April–May)
Keil, Frank. “Hochkultur meets Subkultur.” Frankfurter Rundschau, October 1
Kernan, Nathan. “What They Are. A Conversation with Wolfgang Tillmans.” Art on
Paper (May–June)
Krajewski, Michael. “Science Fiction/Hier und jetzt zufrieden sein—Utopische
Horizonte.” In AC: Isa Genzken/Wolfgang Tillmans, p. 8
Liebs, Holger. “Die dunkle Kammer Welt.” Süddeutsche Zeitung, September 29–30,
p. 15
Mayer, Sebastian. “re:minded.” Spex (December), p. 49
McAuliffe, Michael James. “Collector’s Choice: Exit Art/The First World.”
ReviewNY.com
Riemschneider, Burkhard and Ute Grosenick, ed., Art Now. 137 Artists at the Rise of the
New Millennium. Cologne, Germany: Taschen, pp. 500–504
Reynolds, Cory. “Index Portraits.” Index (February–March), pp. 76–77, 85
Rodrigues, Julian. “Tillmans for all Seasons.” Photo District News (March), p. 36
Ruthe, Ingeborg. “Die akzeptable Oberfläche.” Berliner Zeitung, October 13
Schmitz, Edgar. “So weit die Wände reichen.” Texte zur Kunst, no. 41 (March)
Shimizu, Minoru. “Wolfgang Tillmans: I WAR, TILLMANS.” Ryuko Tsushin (June),
pp. 120–23
Stewart, Christabel. “Wolfgang Tillmans, week 30,
August 2000.” (interview) in fig-1, exh. cat., London
Testino, Mario. “Art Index,” interview with Sadie Coles, V Magazine (May–June)
Weich, John. “Wolfgang Tillmans.” Dutch Magazine (March–April)
Woodward, Richard B. “Racing for Dollars, Photography Pulls Abreast of Painting.” Arts
& Leisure, The New York Times, March 25, sec. 2, p. 39–41
“Aufsicht.” Neverscheinungen (winter), p. 43
“There’s something about uniforms . . . .” Tema Celeste, no. 83 (January–February)
“View from above: review.” D.A.P. (fall–winter 2001–2002)
“Wolfgang Tillmans.” Index (April–May)

2002

Aidin, Rose. “Shooting from the Hip.” The New York Times Magazine (March 9), pp.
42–45
Bellel, Zeva. “face to face.” Dutch, no. 38 (March–April), pp. 78–79
Bruciati, Andrea. “Wolfgang Tillmans: Diechtorhallen Hamburg.” Tema Celeste
(January–February)
Burton, Johanna. “Bystander + Wolfgang Tillmans, Lights (Body).” Time Out New York
(August 15–22), p. 46
Bush, Kate. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum
(December), p. 121
Eichler, Dominic. “Partnerschaften.” frieze (April), p. 96
Eriksen, Peter. “Sokkerne på radiatoren.” Lousiana
Magasin, no. 7 (November), pp. 6–12
Graham-Dixon, Andrew. “Shooting Star.” Vogue (UK) (March), p. 342
Guerrin, Michel. “Wolfgang Tillmans, les poils et les étoiles.” Le Monde, June 8, p. 32
Gundlach, F. C. “Wie kommt Bedeutung in das Blatt Papier.” (interview) in reality-
check, 2. Triennale der Photographie, Hamburg, pp. 24–31
Jahn, Wolf. “Wolfgang Tillmans, Deichtorhallen, Hamburg.” Artforum (March), p. 149
Jonkers, Gert. “De statigheid van een muis in een kartonnen doosje.” de Volkskrant, July
24, p. 14
Kertess, Klaus. Photography Transformed: The Metropolitan Bank and Trust Collection.
Harry N. Abrams Publishers, Inc., p. 222.
Koerner von Gustorf, Oliver. “Befleckte Idyllen.” die tageszeitung, February 6
Koether, Jutta. “Zeug aus einer besonderen Zeit.”
Neuendorff, Torsten. “Wenn man geliebt wird, will man verstanden warden—but then
you still want to be loved.” Nakas, Kassandra. “Empathie und Distanz. Zu den Werken
von Jochen Klein.” Wagner, Frank. “Fährten und Verbindungslinien,” in Partnerschaften,
Neue Gesellschaft für Bildende Kunst, Berlin, 2002, pp. 41–46, 49–51, 53–56, 105–13
Lazimbat, Sascha. “Living on Video.” Groove, no. 78 (October)
Matsui, Midori. Art in a New World: Postmodern in Perspective Japan: Asahi Press
McDermott, Stephen. “Head Games.” Gay City (August 23–29)
Mortensen, Anders S. “Normal Utilpassethed.” (interview) Panbladet, no. 1 (February),
pp. 20–25
Morton, Tom. “Everyone’s a Winner.” Tate (November-December), p. 70-75
Nickas, Bob. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum
(December), p. 117
Paul, Benjamin. “Wolfgang Tillmans: Still Life.” In Wolfgang Tillmans: Still Life, exh.
cat., Cambridge, Mass.: Harvard University Art Museums, pp. 11–18
Perree, Rob. “Wolfgang Tillmans.” Reviews, Kunstbeeld, no. 10
Pieper, Cornelia. “Bester Zeitgeist.” Frankfurter Allgemeine Sonntagszeitung, no. 38,
September 22, p. 28
Roth, Claudia. “Bestes Engagement.” Frankfurter Allgemeine Sonntagszeitung, no. 38,
September 22, p. 28
Schwenk, Bernhart. “. . . etwas menschliches herübertragen.” (interview) in
Aidsmemorial München, Frankfurt am Main, Germany: Revolver Verlag, pp. 14–17, 36–
37
Shimizu, Minoru. “Bijutsu Techo.” Bijutsu Shuppan-sha, no. 782 (April), pp. 82–87

Smith, Caroline. “Wolfgang Tillmans.” Contemporary (May), p. 105.
Sonna, Birgit. “Aus Zeit und Raum gerissen.” Süddeutsche Zeitung, July 17
Temin, Christine. “A Dozen Options in Landscape at ‘Beyond Barbizon.’” Boston Globe,
April 14
Troncy, Eric. “Portrait of the Artist as a Young Man.” Numéro 34 (June), pp. vii–xi, 33–
37
Turner, Jim. “Wolfgang Tillmans.” Flaunt, no. 31, pp. 74–75
Vendrame, Simona. “Wolfgang Tillmans.” (interview) Tema Celeste, no. 91 (May–June),
pp. 46–51
Wood, Catherine. “Wolfgang Tillmans.” Art Monthly, no. 256 (May), pp. 37–38
Zahm, Olivier. “Dans le vide des apparences.” Vogue (Paris) (June), p. 22
“Exhibitions: See this!” Guardian Guide (April 6–12), p. 42
“Focus Germany.” Flash Art (May–June)
“Strange Tail of New Pet Shop Boys Video.” New Musical Express (January 12), p. 5
“Tillmans’ view from above.” Sleazenation (January–February)
“Wolfgang’s gaze.” Out (April), pp. 40–41
“Wolfgang Tillmans and the Pet Shop Boys.” Tema Celeste (March–April)

2003
Aletti, Vince. “World Beat.” The Village Voice, September 24
Barber, Lynn. “The Joy of Socks.” The Observer Magazine (January 5), cover story, pp.
14–22
Brudna, Denis. “Wolfgang Tillmans—If one thing matters, everything matters.”
Photonews, no. 7/8 (July–August), p. 19
Durden, Mark. “Wolfgang Tillmans. Uninhibited Looking.” Portfolio, pp. 29–30
Evans, Jason. “Review, Wolfgang Tillmans.” Photoworks, (autumn–winter)
Garret, Craig. “Moving Pictures.” Flash Art (March–April), p. 47
Goto, Shigeo. “Wolfgang Tillmans Long Interview.” (interview) Esquire Magazine
Japan, no. 3 (March), pp. 38–42
Heidenreich, Stefan. “Wolfgang Tillmans: ‘We are not going back.’” DE:BUG, no. 32
(June), p. 32
Herbert, Martin. “Preview.” pluk (May–June), pp. 27–28
———. “Wolfgang Tillmans—Tate Britain.” Artforum (October), p. 167
Hohmann, Silke. “Die außerirdische Königin.” Frankfurter Rundschau (June 27), p. 13
Holert, Tom. “Zwischen Ästhetisierung und Ikonografie.” In Mars—Kunst und Krieg,
Hatje Cantz Verlag/Neue Galerie Graz, pp. 290–303
Hubbard, Sue. “All things must pass.” The Independent Review (June 10), pp. 14–16
Imdahl, Georg. “Dieses unstillbare Interesse an der Oberfläche.” Frankfurter Allgemeine
Zeitung, September 20, p. 45
Jongbloed, Marjorie, Brigitte Oetker, and Christiane Schneider. Jahresring 50—Jahrbuch
für moderne Kunst. Cologne, Germany: Oktagon Verlag, pp. 208–213
Kiehl, Annette. “Wahrheitssuche.” Westfälischer Anzeiger, August 14
Lehnartz, Sascha. “Der Maler des modernen Lebens.” Frankfurter Allgemeine
Sonntagszeitung, January 12, p. 47
Leopold, Jörg. “Lights (Body).” In Fast Forward, Karlsruhe, Germany: Sammlung Goetz,
pp. 376–377

Liebs, Holger. “Paare, Passanten.” Süddeutsche Zeitung, June 6, p. 15
Long, Andrew. “Wolfgang Tillmans.” Departures (May–June), p. 99
Maestri, Tony and Alex King. “I had a camera and wanted to change my life.” eyesore
productions, pp. 18–20
Morton, Tom. “Wolfgang Tillmans. Tate Britain.” frieze, no. 80 (October), p. 113
Hernert, Martin. “Wolfgang Tillmans.” Artforum (October), p. 167
Pitman, Joanna. “In a World of His Own.” The New York Times, June 9, p. 16
Pye, Harry. “Interview.” (interview) Untitled, no. 30 (June–July), pp. 4–7
Sagner, Karin. “Anti-homeless device.” (interview and photography) in Architektur der
Obdachlosigkeit, Cologne, Germany: DuMont Buchverlag, pp. 20–27
Schütte, Christoph. “Künstler ohne Wäschespinne.” Frankfurter Allgemeine Zeitung,
June 27, p. 56
Searle, Adrian. “The Joy of Socks.” Guardian, June 10, p. 12
Siedenberg, Sven. “Wolfgang Tillmans über Werte.” Süddeutsche Zeitung, Wochenende,
July 5–6, p. viii
Smith, Caroline. “Rebel rebel.” (interview) Attitude (July), pp. 63–65
Tyrrel, Rebecca. “The Big Picture Show.” Sunday Telegraph Magazine (June 1), p. 79
Weston, Alannah. “Wolfgang Tillmans. If one thing matters, everything matters.”
HotShoe International (June), pp. 5, 40–42

2004
Blank, Gil. “How else can we see past the fiction of certainty?” (interview) Influence, no.
2, pp. 110–21
Danicke, Sandra. “Wie es sich anfühlt, lebendig zu sein.” (interview) art kaleidoscope
(February)
Gilmore, Jonathan. “Wolfgang Tillmans, Andrea Rosen Gallery, New York.” Tema
Celeste, (January)
Goto, Shigeo “Wolfgang Tillmans.” Hi-Fashion, no. 299 (October), p. 160
Iida, Shihoko. “Wolfgang Tillmans: Spirit of the Freischwimmer.” In Wolfgang
Tillmans: Freischwimmer, edited by Shihoko Iida, Tokyo: Tokyo Opera City Art Gallery,
pp. 104–109
Iizawa, Kotaro. “Wolfgang Tillmans.” Geijutsu Shincho, (December), pp. 86–95
Ito, Toyoko. “Studio Voice.” Tokyo (November), pp. 118–23
Kawachi, Taka, Kotaro Iizawa, and Kadota, Junichi. “Conversation on Photography.”
Studio Voice, no. 337 (January), pp. 52–53, 72–73
Kedves, Jan, and Cornelius Tittel. “Es geht mir um Wahrheit.” die tageszeitung, July 6,
p. 25
———. “Ich versuche nur, das Richtige zu tun.” Zoo (March), p. 36ff
Kojima, Yayoi. Esquire Magazine Japan (December), pp. 266–267
Matsushita, Yukiko. “Luca.” Esquire Magazine Japan, no. 7 (October), p. 175
Müller, Silke. “Es dreht sich jetzt nur noch um gute Kunst.” art, no. 8 (August),
pp. 72–74
Nagashima, Yurie. Switch, (December), pp. 122–25
Ollier, Brigitte. “L’excellence Tillmans.” Libération (France), November 13
Penelas, Seve. “Wolfgang Tillmans. Abstraction.” EXIT 14, pp. 76–81
Rauterberg, Hanno. “Wie viel Moral braucht die Kunst.” Die Zeit, no. 39 (September 16)

Ribbat, Christoph. “Smoke gets in your eyes.” Kunstforum International, no. 172
(September–October), cover and pp. 38–43
Schuman, Aaron. “Master of the universal.” (interview) ARTReview (July–August),
cover and pp. 48–57
Shimizu, Minoru. “Hihyo no Fuzai, Shashin no Kajo.” Shiro to Kuro to de—Shashin to . .
., Gendaishichosha, pp. 151–67
———. “intoxicate.” NMNL, vol. 52 (October), pp. 6–7
———. “Wolfgang Tillmans: The Art of Equivalence.” In Wolfgang Tillmans:
Freischwimmer, exh. cat., Tokyo: Tokyo Opera City Art Gallery, pp. 110–15
Shimizu, Minoru, and Shigeo Goto, (conversation) Ichihara Kentaro, Tsuchiya Seiichi,
Bijutsu Techo (Special Issue of Wolfgang Tillmans/Larry Clark) Bijutsu Shuppan-sha,
no. 857 (November),
pp. 11–31 (plates) 32–48, 49–54, 55–61, 62–64 (Selected Book Guide)
Urae, Yumiko. “Wolfgang Tillmans.” (interview) BRUTUS, no. 553 (August), cover and
pp. 20–29
Wiedemann, Christoph. “Annäherung an das Abbild.” Süddeutsche Zeitung, no. 17, p. 4
Wood, Catherine. “Let me entertain you.” Afterall, no. 9, pp. 43–44

2005
Barton, Laura. “Joy Boy.” G2, Guardian, September 23, pp. 14–17
Bodtlander, Bernd, and Frank Nicolaus. “Eine Schule fur den Wahnsinn.” art DAS
KUNSTMAGAZIN, no. 10 (October), pp. 70–77
Bright, Susan. “Wolfgang Tillmans.” (interview) in Art Photography Now, London:
Thames and Hudson
Burg, Dominique von. “Alltagliche Schizophrenie, Kunst und Pressebild von Warhol bis
Tillmans.” NZZ Online (July)
Comer, Stuart. “On the Ground.” Artforum, vol. XLIV, no. 4 (December), pp. 227-229
Chavez, Brenda. “Wolfgang Tillmans, Contra Indiferencia.” El Pais (Madrid) (October
7), pp. 18–19
De Witt, Amy. “Wolfgang Tillmans, Maureen Paley.” Time Out London, no. 1813
(September 21–28), p. 57
Diez, Georg. “Wie Sieht Die Welt aus?” Tagesanzeiger, Das Magazin, no. 40 (October
14), pp. 22–34
Doustaly, Thomas. “Wolfgang Tillmans s’assombrit.” Tetu (October 1)

Downey, Anthony. “Wolfgang Tillmans at Maureen Paley.” Flash Art, (November)
Fel, Loïc. “truth study center, L’équivalenc visuell.” www.photosapiens.com (September
26)
Hakim, Jamie. “The truth is out.” (interview) Attitude (October), pp. 88–91
Hakkarainen, Anna-Kaari. “Totuus on tuolla jossain.” muoto (May), p. 69
Heidenreich, Stefan. “Wolfgang Tillmans, truth study center, 2005.” DE:BUG (October
27)
Hilpold, Stephan. “Spiritualität im Sex-Club.” (interview) Rondo, Der Standard, no. 338
(September 30), pp. 4–5
Hofer, Sebastian. “‘Ein schwuler Kuss ist hochgradig politisch.’” Profil (Austria)
(September 12)
Honnef, Klaus. “Details des Universums.” Die Welt, September 7, p. 29

Iida, Shihoko. Bijutsu Gaho (January), pp. 290–291
Illies, Florian. “Der sinnliche Protestant.” Monopol (October 1)
Jung, Irene. “Die Schönheit der Venus und die Zufälle des Lebens.” Hamburger
Abendblatt (September 17)
Lazimbat, Sascha. “Faltenwürfe und Wellenverläufe.” Groove, no. 97 (November–
December), p. 14
Leaver-Yap, Isla. “Wolfgang Tillmans: Truth Study Center.” Map Magazine (November)
Lelièvre, Marie-Dominique. “Les yeux au ciel.” Libération (France), October 18
Liebs, Holger. “Der billigste, für alle zugängliche Zauber.” Süddeutsche Zeitung,
September 7, p. 15
Lübbke-Tidow, Maren. “Wolfgang Tillmans: Truth Study Center.” Camera Austria, vol.
92, pp. 91–92
Obricht, Hans-Ullrich. “The Tillmans show (Wolfgang Tillmans in conversation with H.
U. Obricht and Rem Kohlhaas).” NUMERO (France) (October 1)
Polzer, Britta. “Covering the real. Kunst und Pressebild, von Warhol bis Tillmans im
Kunstmuseum.” Kunst Bulletin (July–August), p. 53.
Preuss, Sebastian. “Arena of Passion.” 032c, no. 9 (summer), pp. 94–96
Rehberg, Peter. “Von den Socken.” Siegessäule (October 1)
Rubira, Sergio. “Wolfgang Tillmans.” EXIT Express, no. 9 (February), pp. 3, 19
Schock, Axel. “Die Wahrheit des Augenblicks, Neue Fotografien von Wolfgang
Tillmans.” hinnerk (November 4)
Seidl, Claudius. “Der Zauberkünstler.” Frankfurter Allgemeine Sonntagszeitung, August
21, p. 27
Swift, Simon. “My work isn’t just about cocks.” Pink Paper, no. 882 (September 1), p. 20
Vitorelli, Rita. “Gespräch mit Wolfgang Tillmans.” spike, no. 6 (winter), pp. 38–49
Walder, Martin. “Äusserst geschärfte Wahrnehmung.” Neue Zürcher Zeitung, May 1,
p. 65
Waldron, Glen. “From stargazing to people-watching.” i-D (November), pp. 84–93
“Wolfgang Tillmans.” EXIT, no. 18 (May–July), pp. 70–79
“Wolfgang Tillmans, Art of living people.” Esquire Magazine Japan, vol. 19, no.1
(January), p. 33

2006
Aletti, Vince. “Critic’s Notebook: Abstract Thinking.” The New Yorker, (April 3), p. 18
Aletti, Vince. “Photography: To Blessed to be Depressed.” Modern Painters, (May), pp.
46-48
Artner, Alan G. “King Tut returns; year of firsts.” Chicago Tribune, (January 1)
Artner, Alan G. “Treasure amid the trivial.” Chicago Tribune, (May 25)
Ault, Julie. “The Subject is Exhibition.” Wolfgang Tillmans. Museum of Contemporary
Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press,
New Haven and London, pp. 118-137
Bentley, Kyle. “Chicago: Wolfgang Tillmans.” Artforum, vol. XLIV, no. 9 (May), p. 118
Beshty, Walead. “Wolfgang Tillmans at the Hammer Museum Los Angeles and The
Museum of Contemporary Art Chicago.” Texte zur Kunst, (December)

Birnbaum, Daniel. “A New Visual Register for our Perceptual Apparatus.” Wolfgang
Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and
Los Angeles, Yale University Press, New Haven and London, pp. 14-33
Bonham-Carter, Charlotte. “David Wojnarowicz.” Art Review, no. 2 (August), pp. 135
Campbell, Clayton. “Spotlight: Wolfgang Tillmans.” Flash Art (November/ December),
p. 113
Falconer, Morgan. “never a Hirst. Is it?. The Times, (August 1)
Ferguson, Russell. “Faces in the crowd.” Wolfgang Tillmans. MCA Museum of
Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale
University Press, New Haven and London, pp. 64-83
Finkel, Jori. “Wolfgang Tillmans In the Studio.” Art+Auction, (May), pp. 48-54
FNB. “Fotografier av Tillmans på Helsingfors festspel.” Vasabladet, (August 20)
FNB, Från. “Fotografier av Tillmans på Konsthallen.” Jakobstads Tidning, (August 20)
Francis, Sean. “From the Sublime to the Obscene.” Chicago Reader, (July 7)
Fricke, Harald. “Me and Mr. Jones.” Das Achte Felde, Ludwig Museum, Hatje Cantz, pp.
250-251
Genocchio, Benjamin. “From Coast to Coast, What to See.” New York Times, (March
29)
Graham-Dixon, Andrew. “ Beyond Formaldehyde.” Seven, (July 30), pp. 26-27
Gray, Louise. “Between Bridges.” deutsche-bank-art.com/art/2006/3/e/1/431.php
Hackworth, Nick. “Gut feeling in the gallery.” Evening Standard, (August 2) p. 36
Haikala, Eeva-Mari. “Elämän raadollisuus ja kauneus.” Etelä-Saimaa, (August 24)
Halmetoja, Veikko. “Aikalaiskuvaaja ei tyydy dokumentointiin.” Aamulehti, (August 22)
Halle, Howard. “5 Things to See This June.” O, (June)
Halle, Howard. “Abstract thinking.” Time Out New York, no. 542 (February 16-22), pp.
26-27
Hensher, Phillip. “That’s a Hirst? It’ll never sell…” The Independent, (August 4)
Hetfleisch, Patricio. “Fotos.” Observer, Neue Zeitung für Tirol (February 7), pp. 50-51
Howgate, Sarah and Nairne, Sandy. “The Portrait Now.” National Portrait Gallery
Publications, London, p. 107
Hübner, Katja. “Museum of Contemporary Art, Chicago, Wolfgang Tillmans.” LFI
Magazine, (April)
Hunt, Ian. “David Wojnarowicz.” Art Monthly, no. 297 (June), pp. 23-24
Jäämeri, Hannele. “Oma Tapa Katsoa.” Suomen Kuvalehti, p.62
Jones, Laura K. “Openings.” Sunday Telegraph Magazine (April 30), p. 8
Jury, Louise. “Exhibition paints major artists in a fresh light.” The Independent (August
10)
Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Forssan Lehti,
(August 21)
Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Itä-Häme, (August
22)
Kataja, Marika. “Sulkupolvensa tulkki esillä.” Kainuun Sanomat, (August 19)
Kataja, Marika. “Sulkupolvensa tulkki esillä.” Keskipohjanmaa, (August 20)
M, A. “Between Bridges.” Flash Art, no. 249 (July-September), p. 61
Milevska, Suzana. “News: Skopje.” Contemporary, no. 78, pp. 18-19

Molon, Dominic. “A Pulse within the System: Wolfgang Tillmans and
Photoconceptualism.” Wolfgang Tillmans, Museum of Contemporary Art Chicago;
Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven
and London, pp. 34-54
Myers, Holly. “After Arbus.” Los Angeles Times: LA Weekly, (October 18), p. 52
Myers, Terry R. “Wolfgang Tillmans: Hammer Museum Los Angeles.” Art Review,
(December), p. 149
Nance, Kevin. “Photography exhibit at MCA: Beautiful, but where’s the editor?”
Chicago Sun-Times, (May 25)
Nelson, Samantha. “Photo exhibit features youth and counterculture.” Medhill News
Service, (May 23)
Nelson, Samantha. “Photographer focuses on youth, counterculture in MCA exhibit,”
Daily Herald, (June 9)
Nelson, Samantha. “Photographer’s work on display at city museum.” Lansing Times,
(June 1)
Nemitz, Barbara. (editor), “Pink – The Exposed Colour in Contemporary Art and
Culture.” Hatje Cantz
Nickas, Bob. “Pictures to Perceive the World.” Freedom From The Known. New York
and Göttingen, Germany: PS1 and Steidl Verlag
Nickas, Bob. “Wolfgang Tillmans.” Stnd Magazine, vol. 1, no. 1 (May)
Ollman, Leah. “Tillmans’ touch: Image as installation
Palmore, Rebecca. “The Time is Right.” Chicago Tribune, (June 4)
Pierini, Marco. “Good Vibrations – Visual Arts and Rock Culture.” Palazzo delle
Papesse, Siena, Italy and Giunti, pp. 48-49
Richer, Francesca, and Rosenzweig, Matthew. “No. 1: First Works of 362 Artists.”
Distributed Art Publishers
Relyea, Lane. “Photography’s Everyday Life and the Ends of Abstraction.” Wolfgang
Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and
Los Angeles, Yale University Press, New Haven and London, pp. 88-105
Scherf, Martina. “Jedes Bild ein inszenierter Zufall.” SZ Extra, (January 26-February 1),
p. 4
Shihoko, Lida. “Floating Forms – Abstract Art Now.” Krebber, pp. 64-67
Siltavuori, Emilia. “”Tillmans bjuder på det enkla i det vardagliga.” Hufvudstadsbladet,
(September 9)
Stevens, Isabel. “Wolfgang Tillmans: truth study center.” Contemporary, no. 78, p. 55
Stillpass, Zoe, “Wolfgang Tillmans documents friends, loves in an eye-opening exhibit.”
Chicago Maroon, (May 26)
Taidehalli, Helsingin. “Tekisit jotain, Wolfgang!” Savon Sanomat, (August 19)
Tedorczuk, Tom. “The pig and the penguin: ICA trots out genius of youth.” Evening
Standard, p. 23
Teir, Philip. “Inget är för obetydligt för Tillmans.” Hufvudstadsbladet, (August 19)
Terracciano, Emilia. “On Now, On Soon.” Flash Art, vol. XXXIX, no. 247 (March-
April), p. 50
Therond, Eve. “Super Mario Reloaded.” Whitewall, no. 2, pp. 48-49
Thomas, Tobias. “Das Ungeklärte in der Wertigkeit der Dinge.” (interview) Spex XXV,
25 Jahre Jubiläumsheft, no. 1, pp. 50–54

Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Karjalainen, (August 20)
Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Keskisuomalainen, (August 19)
Timberg, Scott. “Mix and match photographs.” Los Angeles Times, (September 16), p.
20
Väliranta, Eija. “Sukupolvensa silmä.” Apu, no. 33
Vekkeli, Pirkko. “Wolfgang Tillmans, sukupolvensa silmä.” Gloria Syyskuu, pp. 64-67
Wagner, Frank. “The Eighth Square.” Das Achte Feld, Museum Ludwig, Hatje Cantz, pp.
38-39
Waldron, Glenn. “Wolfgang parade.” Nylon, (June)
Weinstein, Michael. “The Remix: Wolfgang Tillmans spins Experimental Photography
for a Cause.” Newcity, (May 25)
Wigley, Marc. “The Space of Exposure.” “Wolfgang Tillmans, Museum of
Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale
University Press, New Haven and London, pp. 144-156
West, Esme, (ed). New Art on View, Scala, p. 38, 98§
Williams, Eliza. “Top 50 Summer Highlights.” Art Review, (June), pp. 70-77
Wolinski, Natacha. “Wolfgang Tillmans – Objet photographique non identifié.” Beaux
Arts, (April), pp. 76-81
Wood, Catherine. “David Wojnarowicz.” Frieze, no. 100 (June-August), p. 260
Zwecker, Bill. “David Schwimmer visits MCA to see Tillmans.” Chicago Sun-Times
(June 14)
“Five things to see this June.” O (Oprah), (June)
“German Photographer Tillmans’ work on display.” Hammond Times, (June 1)
“Hot List.” Harper’s Bazaar, (May)
“Kohtaamiset.” Suomen Kuvalehti, p. 61
“Kuvakulma.” Aamulehti, (August 19)
“La espontaneidad de la artificialidad.” Masdearte.com, (May 25)
“London Openings.” Art Monthly, no. 297 (June), p. 16
“News & Around, Wolfgang Tillmans.” Tema Celeste, p. 103
“Sukupolvi X:n tulkki.” Kauppalahti Presso, (August 19)
“Surprise, Surprise.” The Guardian Guide, (July 29)
“US tour for Tillmans.” The Art Newspaper, (May 16)
“Valokuvan kultti-hahmo Juhlaviikoilla.” Kirkkonummen Sanomat, (August 10)
“Wolfgang Tillmans.” Art Price, Korea, (June)
“Wolfgang Tillmans.” Chicago Social, (May)
“Wolfgang Tillmans.” Dwell, (June)
“Wolfgang Tillmans.” newcitychicago.com
“Wolfgang Tillmans.” Surprise Surprise, Institute of Contemporary Arts, London
“Wolfgang Tillmans.” Visuell, p. 88, 217
The Art Newspaper, March
“Wolfgang Tillmans Deutscher Top Künstler aus London Fickt Keyboard Player von
Bronski Beat” (interview), Butt, (Autumn), pp. 24-31
“Wolfgang Tillmans vangitsee nykyhetken ilmiöitä.” Uutiset.stt.fi, (August 21)

2007
App, Volkhard. “Subversiver Lifestyle als Konsumhaltung.” Dradio.de, (February 15)

Buhr, Elke. “Die Wahrheit des Bildes.” Frankfurter Rundschau, (February 28), p. 15
Barth, Siegfried. “Zwei Künstler untersuchen den Zustand der Welt.” Neue Presse,
(February 16), p. 24
Cimorelli, Silvana (editor), Numerica, Palazzo Delle Papesse Centro Arte
Contemporanea, pp. 36-37
Di Blasi, Johanna. “Auf dem Drachen reiten.” Hannoversche Allgemeine Zeitung,
(February 16), p. 5
Eckmann, Sabine. “Reality Bites: Making Avant-Garde Art in Post-Wall Germany.”
Hatje Cantz, pp. 122-123, 144-146, 153.
Florian, Illies. “Ohne Zweifel kann ich nicht nach vorne gehen.” (interview) Monopol,
(February)
Goetz, Rainald. “Facharbeiterflicken.” Vanity Fair, (February 28)
Hoffmans, Christiane. “Die Welt in fremden Licht sehen.” Welt am Sonntag, (January 7),
p. 67
Kedves, Jan and Tittel, Cornelius. “ Ich Versuche nur das Richtige zu Tun.” (interview)
Zoo Magazine, pp. 376-57
Lorch, Catrin. “Am Ende ein Gong.” Frankfurter Allgemeine Zeitung, (April 20), p. 36
Lorch, Catrin. “Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln.” Frankfurter
Allgemeine Zeitung, (February 3)
Meixner, Christiane. “Lasst Tische sprechen.” Welt am Sonntag, (February 25), p. 66
Meixner, Christiane. “Tillmans lässt Tische sprechen.” Welt.de, (February 24)
Peitz, Dirk. “Man fotografiert, was man liebt.” (interview) Süddeutsche Zeitung,
(February 20), p. 13
Siemes, Christof, “Atelierbesuch Wolfgang Tillmans”, Zeit Magazin, (May 31), pp. 47-8
Scheuermann, Barbara J. “ Start 2007: Actuelle Januar – Ausstellungen.” Koeln-
galerien.de, (January 29)
Schulz, Tom R. “Der Wahrheit Fallen Stellen.” Die Welt, (February 28), p. 29
Thomas, Tobias. “Wolfgang Tillmans: Coming Home.” Spex, (February 1), p. 11
Tilmann, Christina. “In Geiselhaft.” Der Tagesspiegel, (February 22), p. 22
Tumarkin Goodman, Susan. “dateline: Israel: New Photography and Video Art.” The
Jewish Museum, New York/ Yale University Press, pp. 38-41
Weskott, Hanne, “Vom Zufall und der Schönheit eines Regentropfens”, Süddeutsche
Zeitung SZ Extra, (May 31), p. 4
Z, D, “Das Tillmans-Feuilleton”, De Zeit, (May 24), p. 4
“Freund der Dinge.” Quest, (January), p. 22
“Wahre Grösse: Zu Gros Für Jede Schublade.” Prinz, (January), p.115
“Wolgang Tillmans”, Monopol, (June), p. 119.

Photography, writings, interviews, and projects for magazines, catalogues, videos,
and record covers

This chronological list is organized by year. Within
each year, entries are listed alphabetically by publication and chronologically by issue.

1989
Artist’s page. Hamburger Rundschau, no. 49, p. 15
“Opera House.” i-D, no. 69, p. 8, “Hamburg i-D Night,” pp. 12–14
“Lutz Huelle.” Prinz (Hamburg) (September), p. 14, “Gaststätte Sparr,” p. 16, “Boy
George,” “Christoph Schafer and Cathy Skene,” pp. 24–25, “Hamburg Nightlife,”
pp. 30–34
“Nightlife.” Tango (March), pp. 146–147
“Martin Kippenberger,” “Hendrik Martz,” “Trude Unruh,” “Gerhard Schroder,” “Marius
Zmuller-Westernhagen,” “Alfred Mechtersheimer,” “Uta Ranke-Heinemann,”
“Willy Millowitsch,” “Natja Brunkhrse,” “Raner Fettig,” “Dr. Jürgen Schreiber.” Tempo
(September), pp. 50–56

1990
“Berlin,” (text and photos) The Face, no. 17 (January), p. 109
“Euroclubbing.” The Face, no. 24 (August), p. 70
“Peep Show.” Prinz (Hamburg, Germany) (March), pp. 10–11, “The Weather Girls,”
p. 24, “Nightlife,” pp. 30–34, “Yoko Tawada,” p. 38, “Sport Idols + Willi Schulz,” pp.
44–48, “Ulich Wildgruber,” p. 103
“Adamski.” Prinz (Hamburg, Germany) (June), cover and p. 24, “Nightlife,” p. 42–46,
“Friedrich Kurz,” p. 112, “First Fashion Story.” Prinz (Hamburg, Germany) (October),
pp. 74–78
“Soul II Soul.” Spex

1991
“Techno Reportage Gent and Frankfurt.” i-D, no. 99, pp. 18–23
“Fashion (Couples).” Prinz (Hamburg, Germany) (October), pp. 76–79
“Electronic.” Spex (May), pp. 38–40
“Stephen Duffy.” Spex (July), pp. 26–28
“Primal Scream.” Spex (August), cover and pp. 3, 26–27, “Rebel MC,” pp. 18–20

1992
“Aids Page.” (photos and text) i-D, no. 100, p. 50
“Fashion.” i-D., no. 102, p. 4, “Florence + Video Stills,” p. 12, “Cyberpunk Technology,”
pp. 36–40, “Straight-up Portraits,” pp. 21, 46, 57
“Glam Club.” i-D, no. 104, pp. 81–82
“Athens Reportage,” “Juan Atkins,” “Darren Emmerson.” i-D, no. 105, pp. 10–13, 18–22
“Levi’s.” i-D, no. 106, p. 42
“Public Enemy.” i-D, no. 107, pp. 18–21
“Sega.” i-D, no. 108, pp. 60–61, “Dexter Wong,” p. 75, “Chris O’Reilly,” p. 80, “Colin
Harvey,” p. 82, “Gay Pride London,” pp. 86–90, “Love Parade, Berlin,” pp. 64–69
“General Levy.” i-D, no. 110, p. 45, “Chemistry Club,” pp. 56–58, “Fashion Like Brother
Like Sister Alex & Lutz,” pp. 80–87
“Ragga,” “Jamaica,” “Shabba Ranks,” “Lady Patra.” i-D, no. 111, pp. 4–10
“Aids Page.” i-D Japan, no. 4, p. 43
“Gay Pride London.” i-D Japan (December), pp. 86–89

“Suede.” i-D now (November supplement), p. 5, “St. Etienne,” p. 7, “Velda Lauder,” p.
8, “Tomoko Yoneda and Jon Barnbrook,” p. 9, “Alan Maughan,” p. 13, “Lawler Duffy,”
p. 20, “Al Berlin,” p. 22, “Non-Aligned,” p. 23, “Eugene Soulemen,” p. 24, “Spiral
Tribe,” p. 25
“My Bloody Valentine.” Spex (March), cover and pp. 26–28, “Joey Negro,” pp. 6–7
“Henry Rollins.” Spex (April), cover, “Soul II Soul,” pp. 3, 6–7, “Adrian Sherwood,”
pp. 38–41
“Beastie Boys.” Spex (May), pp. 3, 46–48
“Stereo MCs.” Spex (September), cover and p. 22
“Ten City.” Spex (October), pp. 36–38
“Mike D.” Spex (December), cover and pp. 36–37
“Ragga Twins.” Spex, cover
“Momus.” Tempo
“Street Portraits Portfolio.” Zeit Magazin, no. 38, pp. 24–20

1993
“Survival Stories.” i-D, no. 113, pp. 4–8
“Vic Reeves and Bob Mortimer.” i-D, no. 114, pp. 8–10, “Fashion (Sweaters),”
pp. 68–70
“Ears.” i-D, no. 115, pp. 12–14, “Suede,” p. 43, “Roland 303,” pp. 58–59, “Dries van
Noten Devotees,” pp. 70–71
“Abient.” i-D, no. 117, p. 3, “Fashion (Brown),” pp. 14–15
“Faslane Peace Camp.” i-D, no. 118, pp. 14–17, “Fashion Camouflage,” pp. 22–25,
“Street Portraits (Lothar Hempel, Alan Belcher, and Others),” pp. 66–67
“Moby.” i-D, no. 119, pp. 3, 28–31
“i-D Night Rimini,” “Ten City, “Graeme Park,” “Tony Humphries,” “Simon DK.” i-D,
no. 120, pp. 67–68, “Fashion Sportswear,” pp. 70–73
“Fashion Lars,” “Alex and Alex,” “Lutz and Others.” Ray Gun (November), pp. 5, 75–80
“Shara Nelson.” Spex (September), pp. 34–35
“Club Portfolio.” Tempo (July), pp. 118–25
“Street Fashion.” Time Out Amsterdam, no. 3, p. 7, “Tattoo Museum,” “Squats,” p. 8,
“Amsterdam,” pp. 12–13, “Clubs,” pp. 23–24, “Gay Nightlife,” p. 34, “Restaurants,”
pp. 43–44
“Amsterdam.” Time Out Amsterdam, no. 5, pp. 49–55
“Berlin Portraits.” Time Out London, no. 1174 (Feburary 17–24), cover
“Street Portraits.” Time Out Student Guide, p. 43

1994
“Oktoberfest.” ADAC Special, no. 22, pp. 84–89
“Portishead.” i-D, no. 125, pp. 3, 20, “Ewan McGregor,” p. 19, “Kaliphz,” p. 25
“Victor & Rolf,” “Pascale Gatzen,” “Marcel Verheijen,” “Saskia van Drimmelen,”
“Lucas Ossendrijver.” i-D, no. 126, pp. 38–43
“A Guy called Gerald,” “Deep Blue,” “LTJ Bukem,” “Ray Keith,” “DJ Hype,” “Kenny
Ken,” “Jumping Jack Frost,” “Goldie.” i-D, no. 128, pp. 42–46
“Music Technology.” i-D., no. 129, pp. 52–58
“Criminal Justice Bill Demo.” i-D, no. 130, p. 9, “Erasure,” “Gus van Sant,” pp. 24–28

“Madrid i-D Night.” i-D, no. 131, pp. 74–75
“Kai Althoff and Justus Koencke.” i-D, no. 132, p. 40, “X-Project/Rebel MC,” p. 83
“Ray Brady.” i-D, no. 133, p. 19
“Richie Hawtin.” i-D, no. 134, pp. 32–36
“Richard Pandiscio’s ‘Ones to Watch.’” Interview (March)
Lutteurs, Swiss Work Wear catalogues
Purple Prose (winter), pp. 74–75
“Portfolio.” Switch, no. 7, pp. 130–36
“Fashion Gillian Haratani,” “Christopher Moore,” “Thuy Phem,” “Tom Borghese and
Ramon.” Tempo (May), pp. 92–94
“Gay Lifestyles.” Tempo (August), cover and pp. 20–25
“Fashion Gillian Haratani,” “Christopher Moore,” “Thuy Phem.” Vibe (April),
pp. 84–87

1995
“Project.” Aktuell, no. 13, pp. 10–35
“Paula, John & Paul Nudes.” Brutus, no. 1, pp. 28–37
“Simon Reynolds and Joy Press.” i-D, no. 138, p. 13
“Carl Craig.” i-D, no. 139, pp. 22–27
“Sam Sever.” i-D, no. 141, p. 7
“Fashion Tristan Webber,” “Alex Bircken Faridi,” “Alexis Panayiotou,” “Lutz Huelle.”
i-D, no. 144, pp. 16–19, “Gay Pride London and New York,” “Isa Genzken,” “Jochen
Klein,” “Inga Humpe,” pp. 94–97
“Blur.” i-D, no. 145, p. 11
“Harmony Korine.” i-D, no. 146, pp. 32–36
“Chris Ofili.” i-D, no. 147, p. 38, “Georgina Starr,” p. 39, “Tracey Emin,” p. 42, “Gillian
Wearing,” p. 43
“Deana,” “Sister Bliss,” “Smokin’ Jo,” “Queen Maxine and Vikki Red,” “Mrs. Wood,”
“Anita Sarko,” “Princess Julia,” “Belinda Becker,” “Rachel Auburn.” Interview (April),
pp. 84–91
“Mistress Formika,” “Liv Tyler,” “Margaret Wertheim,” “Dan Matthews,” “Ed Burns,”
“Morwenna Banks,” “Grandmaster Flash,” “Michael Bergin,” “Gaetano Pesce,” “Jill
Sobule,” “Mariko Mori.” Interview (July), pp. 64–71
“Andrew Sullivan.” Interview (September), pp. 132–35
“Mizrahi Skirt.” Interview (October), p. 98
“Aphex Twin.” jetzt, no. 23, p. 14
“Bronx Skaters Reportage.” jetzt, no. 44, cover and pp. 3, 8–14
“Chloe Sevigny.” jetzt, no. 45, pp. 12–13
“Fake New York Diary.” Max (G) (June), p. 170
“News, Cigs, Mags & Teens talk of danger.” Permanent Food, no. 1
“Bernadette Corporation,” “Gillian Haratani,” “Elizabeth Peyton.” Purple Fashion, no. 1
“How Much Portfolio.” Purple Prose, #9, pp. 22–29
“Ritchie Hawtin/Plastikman.” Spex (February), pp. 24–26
“Blur.” Spex (September), cover, pp. 28–34, and thirty-two–page insert (Portikus
catalogue)
“Boss Hog.” Spex (December), pp. 28–31

“Evangelischer Kirchentag Portraits.” stern, no. 26, pp. 56–66
“Visual Diary #2.” Switch, no. 8, pp. 146–47
“Visual Diary #3.” Switch, no. 9, pp. 148–49
“Visual Diary #4.” Switch, no. 10, pp. 154–55
“Take That Fans.” Tempo no. 9, pp. 62–69

1996
“Manifesta 1 Portfolio Project.” Blvd. Amsterdam (June), pp. 39, 46
Château Marmont Hollywood Handbook. inner cover, pp. 2, 48, 149
Series of 20 postcards. Fotofolio, New York
“The KLF.” i-D, no. 151, pp. 36–40
“Love Parade ’96.” i-D, no. 156, pp. 52–57
Fold-out poster. Habitat Broadsheet (autumn) i-D, no. 158, p. 98
“Allison Folland.” index (February), cover and pp. 6–9
“Udo Kier.” index (April), cover and pp. 6–7
“Mira Nair.” index (June), cover and pp. 6–10
“Larry Brown.” index (August), cover and pp. 6–9
“Parker Posey.” index (November), cover and pp. 6–10
“Twister Fashion.” Interview (June), pp. 78–83
“Gay and Lesbian Parents.” Out, no. 2, pp. 90–93 Permanent Food, p. 105
“Faridi fashion.” Purple Fashion, no. 2
“Chateau Portfolio.” Purple Prose (winter), pp. 84–91
“Bruce LaBruce,” “Tony Ward,” “Rick Castro.” Spex, no. 5, pp. 66–69
“Youth and Violence Project.” Spex, no. 9, pp. 48–56
“Suede.” (photo and interview) Spex, no. 10, pp. 20–21
“Gallon Drunk.” Spex, no. 11, pp. 4–5, “J. Saul Kane,” p. 12
“Nan Goldin.” Spin (November), p. 82
“Fashion Model Gillian Wearing.” Süddeutsche Zeitung Magazin, no. 16, cover and
pp. 42–49
“Robbie Williams.” Süddeutsche Zeitung Magazin, no. 38, cover and pp. 18–22
“Visual Diary #5.” Switch, no. 1, pp. 154–55
“Visual Diary #6.” Switch, no. 2, pp. 138–39
“Fashion Model Gillian Wearing.” Switch, no. 3, pp. 13, 26–39, “Visual Diary #7,”
pp. 136–37
“Visual Diary #8.” Switch, no. 4, pp. 122–23
“Visual Diary #9.” Switch, no. 5, pp. 124–25
“Visual Diary #10.” Switch, no. 6, pp. 156–57
“Portfolio.” Zine, no. 2, pp. 34–40

1997
“Phillip.” Honcho (December), pp. 3, 24–31
“Matthew Collin and John Godfrey.” i-D, no. 163, pp. 58–65
“John Waters.” index (January), cover and pp. 6, 17
“Gilbert & George.” index (September–October), pp. 44–52
“John Lynch.” Interview (January), p. 44
Ad for Matsuda (also in Matsuda catalogue). Interview (April), p. 9

“Aphex Twin.” jetzt, no. 38, p. 18
“Mouse Walk with Me Portfolio.” Landscapes, no. 1, pp. 2–13
“Neil Bartlett.” Out, no. 40, p. 48
“Portfolio.” Skool of Edge, vol. 2, pp. 52–55
“Supergrass.” Spex, no. 4, cover and pp. 24–27
“Wu Tang Clan.” Spex, no. 6, cover and pp. 34–39, “Rob Playford,” pp. 26–29
“Kraftwerk.” Spex, no. 7, p. 9
“Goldie.” Spex, no. 9, cover and pp. 24–27
“Concorde Portfolio.” Suddeutsche Zeitung Magazin, no. 26, pp. 32–41
“Kate Moss.” Visionaire, no. 22
“Fashion Kate Moss.” Vogue (February), pp. 246–251
“Kate Moss.” Vogue (March), p. 70
“Fashion Naomi Campbell.” Vogue (November), pp. 356–361
“Nan Goldin.” Zeit Magazin, no. 6, cover and pp. 11–19

1998
“Soldiers—The Nineties.” (project and text) Big, no. 19
“Michael Clark.” (portrait) Dazed and Confused, no. 48 (November), pp. 142–45
7 postcards (last part of a total of 27). Fotofolio, New York
Poster. Gay Games Amsterdam
“Stuart Shave.” (portrait) i-D, no. 182 (December), p. 38, “Sure Shot,” (photography)
p. 104
“Daniel, Jochen and Christopher.” (project) i-D family—Future Postive, p. 146
“Bianca Jagger.” index (June), cover and pp. 10–17
“Pulp.” jetzt, no. 19, pp. 6–7
“Blumentopf nach Hause tragen.” 1997 (project) Kunstbuch, Cologne, Germany:
Walther König, p. 163
Insert. Paradex, no. 1
“Martin Margiela Summer 98.” (photography) Purple, no. 1 (summer)
“Martin Margiela/Alex Bircken Faridi.” Purple Fashion, no. 5
“Pulp.” Ray Gun, no. 55, cover and 7 pages
“Performance.” (photography) RE- no. 2 (winter), pp. 32–33
“Jutta Koether and Christoph Gurk.” Spex (February), p. 65
“Pulp.” Spex (April), pp. 18–21
“Kodwo Eshun.” (portrait) Spex, no. 8 (August), pp. 36–39
Cover photo. Studio Voice, vol. 265 (January)
“Jochen Klein.” Cologne, Germany: Verlag der Buchhandlung, Walther König,
monograph edited by Wolfgang Tillmans, also foreword by W. T.
“Light.” Visionaire, no. 24
“Gala 1997.” (project) Vogue Italia, no. 570 (February), pp. 328–29

1999
“Soldiers: The Nineties.” (project) Art, no. 11 (November), pp. 86–95
“K78,” “das Titel von die Portfolio ist Nestbeschmutzung.” (project) Berlin/Berlin,
Cantz Verlag, Ostfildern, pp. 339–340, 377–380
Cover. (project) Domus, no. 812 (February)

Dub Infusions 1989–1999. CD and record cover, Sonar Kollektiv
35 postcards. Gebr. König Postkartenverlag, Cologne, Germany
“Strings of Life by Rhythim is Rhythim.” (project) i-D, “Beyond Price,” p. 238
“Tom Ford and Ann Hamilton with Wolfgang Tillmans.” Index (September–October),
pp. 66–78

“Mouse on Mars.” (portrait) Spex, no. 8 (August), cover and pp. 30–35
“Princess Julia.” (photography) Süddeutsche Zeitung, no. 11, March 19, pp. 14–15
“Anatoli Karpow.” (portrait) Süddeutsche Zeitung, no. 16, April 23, pp. 12–20
“Zwölf Uhr mittags.” (project) Süddeutsche Zeitung, no. 29, July 23, pp. 26–33
“Silke Otto-Knapp.” (photography) Süddeutsche Zeitung, no. 37, September 17, p. 34

2000
“The View From Here.” The Big Issue (August 28),
(guest edited by Wolfgang Tillmans) cover and pp. 3–24
Goldfrapp. “Lovely Head.” (music video) Mute Records
Goldfrapp. (video stills) i-D, no. 199 (July), pp. 156–57
“Joshua/Zelda.” (portrait) p. 2, “Rem Koolhaas,” (portrait) pp. 30–38, “André Weisheit,”
(portrait) index (September–October), p. 32, “Käthe Gilles,” (portrait) p. 100
“Signal—Collection by Lutz.” (photography) Libération (France), no. 4 (winter),
pp. 122–23
Russell Haswell. Live Salvage 1997–2000. CD back cover, Mego
“Portfolio.” (project) Männer aktuell, no. 1 (January), pp. 37–46
“Purple look, J’adore.” (photography) Purple, no. 5 (summer), pp. 208–217
“Lutz in sanddunes.” (photography) Spex, no. 9 (October), p. 15
“Irm Hermann.” (portrait) Süddeutsche Zeitung, no. 12, March 24, cover and p. 57; and
“Rosa von Praunheim,” (portrait) p. 58
“rats.” (project) Tate, no. 23 (winter), pp. 48–49
“James Turrell.” (interview) Vogue Hommes International (spring), pp. 74–78

2001
“A Project for Artforum.” Artforum, no. 6 (February), pp. 130–33
“Bernhard Willhelm.” (portrait) Butt, no. 1 (spring), cover and pp. 14–18
“Some Things Wolfgang Tillmans Saw and Liked.” (photography) Butt, no. 2 (autumn),
pp. 56–60
“Hedi Slimane.” (portrait) i-D, no. 207 (March), pp. 186–88
“Studiomaus.” (project) i-D, no. 213 (September), p. 293
“Richard D. James.” (portrait) Index (April–May), pp. 68–73
Hall, Peter. “The Return of the Concorde.” Metropolis (June), p. 140–44 (illus.).
“Andreas Gursky.” (portrait) The New Yorker (January 22), p. 62
“Stella McCartney.” (portrait) The New Yorker (September 17), p. 131
Postcard book. Snap Art Collection, amus arts press, Osaka
Poster for London Film Festival, November
“Ruth Wyner and John Brock.” (portrait and text) Purple, no. 7 (spring), pp. 78–79
“Neil Tennant,” (portrait and text) Purple, no. 8 (summer), pp. 62–63
“Cerith Wyn Evans.” (portrait and text) Purple, no. 9 (fall), pp. 76–77

“I want to work it out.” (photography) Sleazenation, no. 1 (February), pp. 100–107
“Deutschlandreise.” (photography) Süddeutsche Zeitung, no. 35, August 31, cover and
pp. 11–40
“Donald Cameron.” (portrait) Vogue Hommes International (spring–summer), p. 86

2002
“No shock, no scandal. Just a gay couple on holiday.” (project) Butt, no. 5 (autumn),
pp. 48–57
Pet Shop Boys. Disco 3. CD and record front cover, EMI
“Blushes #13.” 2000 (project) The Face—Pop (spring – summer)
“Crossover.” (portrait) i-D, no. 218 (March), p. 205, “Miss Kittin,” (portrait) pp. 206–
207, “DJ Hell,” (portrait) p. 210
“Zandra Rhodes.” (portrait) i-D, no. 220 (May), pp. 66–70
“Gilbert & George.” (portrait) i-D, no. 221 (June–July), pp. 96–104
“Michael Imperioli.” (portrait) index (April–May) pp. 15–18
“Der Blautopf in Blaubeuren, 2001.” (project) NºB Magazine (February), pp. 132–37
Pet Shop Boys. “Home and Dry.” (music video) EMI
“Marilyn.” (portrait and text) Purple, no. 10 (winter), pp. 62–63
“Miss Kittin.” (portrait and text) Purple, no. 11 (spring), pp. 80–81
“Ryan McGinley.” (portrait and text) Purple, no. 12 (summer), pp. 62–63
“Isa Genzken.” (portrait and text) Purple, no. 13 (fall), pp. 64–65
“Josh Hartnett.” (portrait) Süddeutsche Zeitung, Jetzt, no. 12 (March 18), cover and
pp. 6–11

2003
39 postcards. Gebr. König Postkartenverlag, Cologne, Germany
“Film with music, words, and singing.” 45 minute video film made for Tate & Egg Live
event
“Thomas Eggerer,” (portrait) Architectural Digest, Deutschland, no. 10, pp. 146–47
“Butt page.” (photography) Butt, no. 6 (spring), p. 6, “A True Encounter in a Hotel
Room in the Middle East.” (project), pp. 44–48
“Isa Genzken—A conversation with Wolfgang Tillmans.” (interview) Camera Austria,
no. 81, pp. 7–18
“Peter Saville.” (portrait) frieze, London, designed by Peter Saville, p. 9
“Farewell.” (photography and text) G2, Guardian, October 17, pp. 2–3
“Kompakt—Ein Haus aus Pop.” (photography) Groove, no. 81 (April–May), cover and
pp. 24–30
“Ricardo Villalobos.” (portrait) Groove, no. 84 (October–November), cover and pp. 3,
24–28
“Two Divided by Zero.” Pet Shop Boys (portrait and interview) i-D, no. 238 (December),
pp. 94–99
“Portrait of Tony Maestri.” I had a camera and wanted to change my life, eyesore
productions, Bournemouth, UK, p. 3
“We are Not Going Back.” (photography and text) Purple, no. 15 (spring–summer),
cover and pp. 2–48
“Claudia.” (portrait) Re-Magazine, no. 10 (spring–summer), pp. 33–35

Anti-war poster. Sleazenation, (March)

2004
“Wolfgang Tillmans on Donald Urquhart.” (text) Artforum, no. 5 (January), p. 139
“Corrective Lens—letter to the editor.” (text) Artforum, no. 5 (January), p. 18
“Michael Stipe.” (portrait and interview) Butt, no. 9 (spring), cover and pp. 10–19
“Lutz.” (portrait) Butt, no. 10 (summer), pp. 24–29
“Self/Sweat.” 1993 (project) Chroma, no. 1 (summer), cover
“Ost-West.” (project) Freier, no. 3
“Soldiers: The Nineties.” (text) in Friedrich Christian Flick Collection, exh. cat.,
Cologne, Germany: DuMont Buchverlag
“Page 3 Stunnas!” (project and text) G2, Guardian,
April 19, pp. 2–3, reprinted in Newspaper Jan Mot, no. 42 (May), pp. 2–4; Der Standard
(May), p. Album B3; Courier International, no. 711 (June), p. 16
“Miss Kittin.” (portrait) Groove, no. 87 (April–May), p. 24
“Clubfotografien.” (photography) Groove, no. 91, cover and pp. 48–55
“Lutz with Wolfgang Tillmans.” (portrait and interview) index (September–October),
pp. 96–98
Miss Kittin. I Com. CD and record cover, EMI
“21st Century Radical Chic.” (project and text) Purple—fashion, no. 1 (spring),
pp. 336–343
Superpitcher. Here Comes Love. CD and record back cover, Kompakt
R.E.M. Around the Sun. CD insert, Warner Bros. Records Inc.

2005
“In conversation: Who Do You Love? Isa Genzken and Wolfgang Tillmans.” Artforum
(November), pp. 226–229
“Tony Blair.” (portrait) Attitude, no. 132 (April), cover and pp. 40–43
“Dominic Masters.” (portrait) Butt, no. 12 (spring), p. 58
“Bottoms.” (project) pp. 6–9, “John Waters,” (interview) Butt, no. 13 (summer),
pp. 15–24
“Leaving Japan 18 Oct. 2004.” (project) Esquire Magazine Japan, no. 2 (February),
pp. 68–77
“La ciudad.” (photography) EXIT, no. 17 (February–April), pp. 24–37
“Surface is All We Have.” Exit – Image and Culture. (summer), pp. 72-79
“Family.” (artwork) on Family re-launch flyer, London
“DJ Koze.” (portrait) Groove, no. 94 (May–June), cover and pp. 16–20
“Mein Plattenschrank.” (text) Groove, no. 97 (November–December), p. 46
“M.I.A.—Louder than Bombs.” (portrait) i-D, no. 255 (June), cover and pp. 62–67,
“Make Poverty History.” (project), pp. 160–61
“Billie Ray Martin.” (portrait) i-D, no. 258 (October), p. 257
“Jerry Hall.” (portrait) index, no. 5 (June–July), cover and pp. 58–63, “Slavoj Zizek,”
(portrait and interview) pp. 32–39, “Hot Chip,” (portrait) pp. 70–71, “The Organ,
”(portrait) pp. 88–89
“L’equilibriste.” (portrait) Numéro, no. 63 (May), pp. 52–53

André Galluzzi. Berghain 01. CD cover images, Ostgut Crusaid Annual Review 2004–
2005 (photography)
“Entreprenøren Fra Kreuzberg.” (portraits) Frank, Erik Lars. Panbladet, no. 5 (June),
cover and pp. 6–7
“Glas.” 1999 (photograph) on Quaker Social Action charity card
“Martin Kippenberger.” (portrait) in Tate Modern Exhibition Guide, cover
“Gold.” (project) in Volume 0 The sky is thin as paper here, Galerie Daniel Buchholz,
Cologne, Germany

2006
“After Disaster.” (photograph) Basso Magazin, no. 3
Berliner Poster Verlag, (poster)
Blind Spot, (photography) no. 33
“John Cameron Mitchell film director had his electric shaver nicked by hustler.”
(photography) BUTT, no 18 (Winter)
“Julian.” (photography) BUTT, no. 16 (Summer), pp. 6-16
BUTT magazine (poster)
BUTT BOOK. (book cover) Taschen
“Portraits of Tiga.” Dummy, no. 1 (spring), pp. 66–72
“Les Orphelins”, Laroche, Hadrien, (book cover), Éditions J’ai lu
“Wolfgang Tillmans. Suspense, 2005.” (photography and text) Fanzine137, pp. 39-40
“Teufelsee.” (photography) Frieze, no. 100 (June-August), pp. 14-15
“Susanne Oberbeck” (portraits), Girls Like Us: Lesbian Quarterly, (Summer/ Fall), pp. 4-
9
“kill to get the money.” (portraits) i-D, no. 269 (Summer), pp. 188-191
Connor, Donlon Books, (photography) i-D, (December/ January), pp. 12, 166-169
“What’s wrong with redistribution? Wolfgang Tillmans.” (photography) The Journal,
(Summer)
Éric Reinhardt. Existence. (book cover) Le Livre de Poche
“HIV/AIDS – Graesrødder Samlet I Sydafrika.” (photography) Panbladet, no. 05 (July),
pp. 22-23
“Rossa Nøss Bendixen.” (photography) Panbladet, no. 06 (August), p. 1
Panbladet, (portrait on cover), no. 6. (August)
“Danke für die Blumen.” (photography) TEMPO, (December), pp. 172-183
“Viva, schlechter Geschmack!” (photography) Die Weltwoche, (April 12), pp. 68-71

2007
“Here Comes the Sun.” (photography) FANTASTIC MAN, Issue No. 5 (Spring/
Summer), pp.119-124
Barbara Panther, basso magazin no. 4, perfectly you.
Bloc Party. (cover and photography) Dummy, (Spring), pp. 42-51
Brett Anderson, CD album cover image, Drowned in Sound, BMG/ EMI Music
Publishing
Brett Anderson, Love is Dead, CD single cover image, Drowned in Sound, BMG/ EMI
Music Publishing

Excerpt from a telephone conversation between Wolfgang Tillmans and Heinz Peter
Knew, Berlin/ London, March 7, 2007, Heinz Peter Knes: 100-100, Galerie Crone, pp.
21-23.
Polar. (photography).
Wolfgang Tillmans – Help save your own life. (photography) Quest – Edition (Spring), p.
222-253