The ancient Greeks knew that everything in nature or produced by man has its archetypes or patterns. Man lives in various degrees of a factual universe as it is abstractly defined. Perhaps then abstraction may be our imperfect faculties adjusted to the codes of the world in which one exists.
More than the surface of things, abstraction is the actual nature of a thing. We like to think of reality as a synonym for truth but reality is not a matter of perception, reality is the nature of the thing as it is. It can exist apart from our comprehension. No knowledge is absolute; the exhaustion of unreality is to recover from our ignorance, to challenge the mind.
In ancient and medieval philosophy any of the four substances (earth, water, air and fire) were regarded as the fundamental constituents of the world. Hence, in tandem with the new paintings of André Butzer we present a dynamic trio of artists who have produced abstraction through a kind of alchemical process. The exhibition Earth, Wind, Fire, Ether takes its cue from two sources: the classical elements, and Yves Kleins ‘Cosmogonies’ which exposed canvases prepared with color pigments to natural outdoor conditions.